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Should I Be In Alignment or Should I Relax Completely? (and Namah Shivayah)

For the first few years I was teaching, one season a year, I would have as my overall session theme the Anusara invocation (for the words written out, click on “invocation” in the menu bar above).  In so doing, I invited myself and others to contemplate at the heart level the meaning of each word, of why we were making the invocation, of how the invocation might inform not only our practice, but how we bring our practice off the mat and into our daily lives.  Each time I chant the invocation–and it has been hundreds of times now over the years I have been studying, practicing, and teaching Anusara yoga–I seek to invoke into my practice the deepest qualities of the heart that it represents.

Over the winter break, when I was preparing for this session, the invocation called to me.  I decided it was time to make it as a specific offering again.  Last week and this week, including in the restorative workshop offered at Willow Street Yoga last Saturday, I have been exploring namah shivayah from the first line.  Namah–which has the same verbal origins at the English word “name”–means to bow, to honor, to name.  It forms the basis of the greeting namaste–with the light in me, I bow to the light in you.  Sivayah here is our siva nature.  It is variously the light within, auspiciousness, spirit, divine nature, elemental goodness.

When I was practicing in preparation for teaching the week’s classes and the restorative workshop and contemplating (practicing bhavana on) namah shivayah, I thought about a question I often get when I teach restoratives:  “should I be maintaining the alignment principles or should I be relaxing completely?”  When I get the question phrased this way, I look the student straight in the eye and respond, “yes.”  I get a quizzical look; how could the answer be “yes” to an “either or” question?  The answer is “yes” because in each pose, we are seeking to embody the fullest expression of namah shivayah. Taking the time to make sure to be in alignment when setting up for a pose, moving into a pose, reaching the pinnacle of a pose, and then moving out of or dissolving a pose, is out of loving respect for your body and the energy that courses through your body.  We seek to be fully in alignment in all stages of each pose, not only to minimize the likelihood of being in pain or getting or aggravating an injury and to increase the likelihood of healing any existing injuries and expanding our capacity to feel free in our bodies, but also out of a profound respect and honor for the self, the teachings, and the practice.

Sometimes people think that focusing on getting the alignment just right is fussy or rigid and the antithesis of relaxation.  In the case of restoratives especially, everyone coming to the practice wants to be at peace and feel free of effort.  In the hunger to get to a place of relaxation, some hurry into the pose without honoring the alignment.  Oftentimes, it is the hurry to relax and the loss of attention to the details of alignment (of both the mind-body and the props) that leads to pain or discomfort in a pose that is meant to be held for a long time, as are restoratives.  When a student tells me that they are in pain in a particular posture, I invite the student to back off, set up the pose again, and far more often than not, all discomfort disappears, and the student is able to move into a blissful place.  The student then experiences for herself how much the alignment enables the surrender to the exquisite opening to siva and the blissful attributes of siva (satcitananda).

One of the reasons I find restoratives to be such a powerful practice is because they require such focused attention on alignment to enable full relaxation.  As such, they are a great way to understand the need for the perfect and simultaneous balance of effort (tapas) and surrender (ishvara pranadhana).  So the answer is “yes;” the answer is “nama shivayah.”  In everything we do, in every aspect of our practice on and off the mat, we want to be consciously in alignment.  We want to use all the knowledge that has been imparted by our teachers and experienced in our own practice as a way of honoring and naming and helping to enable an unceasing, simultaneous, and full surrender to our own siva nature.

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    One of the aims of yoga, according to Patanjali’s classic eight-limbed path of yoga, is to be free from being torn between the pairs of opposites — pleasure and pain.  We cannot be free if we are always grasping at pleasure or acting to avoid pain.  From a tantric perspective, we are not trying to disengage or transcend body and mind and the natural arising of pleasure and pain, but we still want to be engaged without an attachment or aversion that leads us into entanglement and suffering rather than towards openness and light.

    One of the kleshas (afflictions) is dvesa, which can be translated as hate, dislike, abhorrence, enmity, avoidance.  Why wouldn’t we want just to avoid something that we dislike?  Sometimes we have no choice, and one of the benefits of yoga is helping us make peace with having to face or be engaged with things that are painful or distasteful.

    I often hear students say, “I hate [insert name of pose].”  Last night, I heard it twice.  I am no stranger to the “I have to go to the bathroom poses,” the poses which are so challenging or uncomfortable, that I feel the need to leave the room. One of the most profound ways I have grown with yoga, though, is staying present for the poses that did not initially appeal to me, usually those that pushed my fear, trust, strength, anxiety, worthiness buttons.  One of the obvious superficial benefits of staying present and practicing the “I hate” poses is that they can yield an extra sense of accomplishment when we get them.  We can also learn more about our friends and colleagues by starting to understand why the poses are the ones that naturally draw them and thus expand our perspective on the fullness of life.

    For example, arm balances are still most challenging for me, partly because I am more flexible than I am strong, and partly because I am fearful of falling.  I’ve started to appreciate how another person could be drawn to them for the exhilaration, the rush of danger, the excitement, the challenge, the very topsy-turvyness of the poses, although those aren’t sensations to which I am naturally drawn.  But I have learned how much practicing arm balances fuels the energy in my core and heart and when I get them, what it must feel like to fly.

    The teacher’s duty (and I have been blessed with wonderful teachers who have given me this gift) is to offer the full range of experiences (within the parameters of the class level, style of yoga, and class description), so that every student gets to practice both favorites and least favorites.  This is not so much to make sure that every student gets a favorite sometimes and so is happy in the class when the favorite shows up, but so that the students are invited to be present, grounded, and open to his or her own light through the full range of delights and challenges.   On a day when I just get my favorites, I feel like I have been to the spa.  The real pleasure from yoga has been from the challenging poses over the long term.   It has been steadily coming to the challenge that has started easing my reactions off the mat to the inevitable challenges, pain, and losses of a full and active life.  In being less reactive to challenges, I also find I crave specific pleasures less, and so enjoy the pleasures that come all the more.

    Yoga home practice challenge: pick one pose for which the phrase, “I hate…” usually proceeds it and make it an element of your weekly home practice for a month.  Witness your reactions on and off the mat.  Enjoy what happens next time the pose comes up in a class.  Maybe the phrase “I hate” will stop arising as soon as you hear the teacher name the pose.

2 Comments

  1. I’m still cherishing the profound sense of relaxation I had during that restorative workshop. It helped unwind a very deep, not-fully- recognized contraction that had crept in as my house got colder and colder during the power outage.
    Sometimes I find that a practice or a class allows me to enter savsasana with good alignment; then I notice a subtle settling into familiar misalignments. I try to take this as a teaching and not as a scolding!

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