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    Prop or Crutch

    “Liberty” is again encased in scaffolding, though it hasn’t been that long since she was taken down for a good cleaning. Seeing her thus supported while simultaneously blocked led me to think about the use of yoga props.

    I am a big fan of using props to discover places one thought out of reach, either because an injury is limiting range of movement or because intelligent or inspired use of a prop can teach where the next step could be in practice.

    Liberty’s scaffolding might be necessary for structural repairs or cleaning, but it is obscuring the view–her view out and our view in. We wouldn’t want her bound and stuck unless it was truly necessary for her full beauty and integrity to be maintained and revealed.

    So, too, with yoga props. As beneficial as they can be, we do not want to rely on them automatically without seeing whether we can open to and discover the full flourishing of ourselves in a pose without them by being open, sensitive, and discriminating about our physical boundaries; applying the alignment principles to the fullness of our knowledge; and using just the right amount of effort.

    By all means use props, but use them to find and witness new freedom (ultimately, svatantriya) not to bind or obscure it.

    Peace and light, E — Posted with WordPress for BlackBerry.

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    On Reading Patanjali (to help get ready for work)

    This morning my sit was full of lots of random thought waves.  This was no doubt, in part, due to my having four meetings,  a call, and a lunch scheduled.  When I was finished, I went into the library, picked up the Christopher Isherwood/Swami Prabhavandananda version How to Know God and opened it randomly to see if it could help guide my thinking today.  I opened to  sutra I.40:   “The mind of a yogi can concentrate upon any object of any size, from the atomic to the infinitely great.”  My first thought was, “how nice.”  My second thought was, “I need to look at another translation; that does not sound quite how I’ve read it elsewhere.”

    I opened my trusted B.K.S. Iyengar, Light on the Yoga Sutra’s of Patanjali.  The translation there is “Mastery of contemplation brings the power to extend from the finest particle to the greatest.”

    These translations are not so different from each other.  It was also most timely for me to read this classical sutra in connection with what I have been contemplating in the Pratyabijna Hrdyam.

    I read the Isherwood translation as saying that as long as one concentrates as a yogi with full and loving attention, then all actions are in union (yoga).  I understand the Iyengar translation to say that mastering yoga allows one to perceive in the most individual, differentiated being or object, the infinite universal.  With that knowing, just as the Kashmir Shaivist teachings say, one is living liberated (jivanmukti).

    However I read this thread of teaching, it is most relevant for how I live and what I must do today with the worldly commitments I have made.  With the intention to stay present with yoga concentration and aims, I now head to my day of meetings.

    The sanskrit is: “paramanu parammahattvantah asya vasikarah”

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    Thanksgiving Yoga (Web Version of E-Newsletter)

    Dear Friends,

    I am perhaps a little late in sending out this announcement.  The time when I usually would have sent it was smack in the middle of the enmeshed and engulfing energies of the election and Hurricane Sandy.  In contemplating what I should write in my invitation to the annual Thanksgiving Day Yoga Fundraiser for Oxfam, I had such an assortment of ideas about gratitude, about abundance, about service, about expressing and receiving thanks, especially when so many are experiencing conflict, hardship, pain, and loss, that I found myself as if I had nothing to say.  It occurred to me, among my many musings, that as long as I have something to give, it wouldn’t matter if I have nothing to say.

    One of the key reasons I meditate and practice asana is to spend defined periods of time being intentionally one-pointed (ekagrata) in my focus.  Out of the apparent maelstrom of experiences, sensations, emotions, and ideas to which we are exposed and in which we can be immersed or even submerged, a point of focus can arise for speaking or acting that frees us from being so caught up in the whirl that we cannot move.  Being intimate with and knowing how to get to the space of stillness and focus–and remembrance of what is most important to us, which I think is a critical element of true gratitude–can help us better take care of ourselves and the society and ecosystems with which we are intertwined.

    In a light of focused intention to make offering, I invite those of you who will be in town to join me for an all-levels class at Willow Street Yoga, Takoma Park, from 10:00-11:30am on Thanksgiving  to celebrate the day and to share our abundance and gratitude with those in need. A tradition for me and for Willow Street and a perfect way to expand the holiday. Friends and family of all levels welcome, including teens, tweens with yoga experience, seniors and everyone else in between. All proceeds go to Oxfam.

    To all of you, I wish you much spontaneous experience of gratitude.  I think of all of you and send my well wishes, especially those who are facing difficult challenges.

    Peace and light,

    Elizabeth

  • Rothko in the Tower Closing This Sunday

    Walk quietly and meditatively to the National Gallery’s East Wing right away if you have not yet seen the Rothko in the Tower exhibit and you are in town.  Exquisite.  I have been many times while it has been open (one of the best things about my job is its proximity to the National Gallery, allowing me to go visit a painting or two at lunch), but have left if more than a couple of people are in the exhibit with me.  Sometimes it is others who appreciate the subtleties and then we get the joy of communal appreciation and connection.  More often with a group of visitors climbing the steps to the Tower gallery space, it is tourists who come up, see that the paintings are mostly black and loudly exclaim that they don’t get it.  The act of not getting it without effort tends to make them louder and more inclined to just chat about whatever and not look at the art.  When I find an art exhibit that is not to my taste, it is my practice (as I was taught) to make an effort to appreciate the technique and intention, if not the aesthetics, and then move on with some insight gained for the broader art world–knowing there is another opportunity just down the hall or the street for me to find deeper delight and inspiration.

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    Theater of the Absurd

    Last night I went with a group of friends for dinner and to see “Hell Meets Henry Halfway” at the Woolly Mammoth.   We all had a most enjoyable time, although the play was pretty negative.  What could you expect, though, from a play based on a 1930s novel written by a Polish exile that was about declining monarchies and social depravity, etc?  What relieved the bleakness of the outlook was the slapstick playfulness of the acting and staging.  It was also a pleasure just to see beautiful technique, and acting was wonderful.

    As the recession deepens, I have been trying to go to see more theater and dance, to support local theaters and restaurants that I care to have still in my world.  It would be easy to settle into a mindset of anti-consumption at this time.  Better I think, even if we are trying to shift the consumer orientation of our society, to become ever more mindful in our consumption, being especially mindful of those around us are struggling from the sudden shift.  The right action, I think,  for those who cannot help but recognize problems, or suffering, or even absurdity, is not only to seek change, but also to see the playfulness in everything to keep the spirit vital and to be able to accept the change that might not be realized despite our best efforts and intentions.

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