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Kashmir shaivism, using the term spanda, talks of the ultimate pulsation of life itself, all being a vibration, everything a play of opposites, a constant dance of concealment and revelation.

Yesterday I when I went to see Ang Lee’s Taking Woodstock, I thought about about what a dance of moments, desires, emotions, motivations, opportunities, and relationships made Woodstock the phenomenon it became.

I remembered when I was a teenager asking my mother why we had not gone; I had some idea that good family friends had made the trek from Long Island.  She said it did not seem sensible to bring three girls under 10.  I am sure that if we had gone, my memories would have been of being dirty, hungry, tired, wet, and overwhelmed.  Instead, I grew up with the instant nostalgia of someone who was just a few years too young to make it up there on my own.  In this contemplation, I marveled nearly as much at the play of spanda in my own life as in the world around me.