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A Pond in the Woods and Some Dogs (and Vimarsha)

I’ve been told that the tantric yoga masters said everything is the emanating light of consciousness with a capital “C” (prakasha) and through certain esoteric practices we can come to know ourselves as reflecting back on (vimarsha) this exquisite light.  Then we can experience the sublimity of oneness.

Intentional stillness makes reflections easier to witness.  And so we sit.  And we can reorient our whole view of the world and recognize the emanating light reflected in the play of patterns from our individual and relational embodied dances.  And sometimes a trio of dogs and a pond just make a great opportunity for a photo essay.

pond 1b pond 1d pond 1e pond 1g pond 1i pond 1j pond 1k pond 1l

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    Web Version of May Newsletter–Invitation to the Dance

    Dear Friends,

    One of the most captivating elements of dance as artistic expression for me is that it has the capacity to show the beauty in the full range of emotions.  Whether the choreographer is telling a story or sharing an impression, making a political statement or expressing a feeling, the dancer’s inherent grace can show us that there is beauty in all things, helping us through the artistic medium to abide with what might otherwise seem emotionally intolerable and to celebrate more fully that which would naturally make our hearts sing.

    Since I first began practicing asana, it has been for me an embodiment of the dance.  The exquisite technique of the Anusara® principles of alignment  transformed healing work into a dance of exploration.  The expansion of my strength and flexibility in middle age — when because of my dance history I thought only would contract with age — allowed me to express progressively more fully the joy I find in my body.

    This year, John Friend’s overarching theme for his workshops and trainings around the world is “Dancing with the Divine.” The theme resonated especially fully for me because I started attending regularly last fall the Sunday contact improv jam on Capitol Hill and have been re-exploring dance after all the shifts I have made with an ever-deepening asana practice.  It has been with an eye towards not only my own dance, but the connection of the community, and our dance of relationship with our living planet that I am choosing which trainings and workshops to attend this year.

    When deciding what my study priorities are for the year, I look first at where my practice and teaching could benefit from some deep attention and wisdom offerings.  I look to the local offerings to deepen my connection to my home community and to minimize the environmental impact of getting to be in the same room as the teacher.  I am thoroughly appreciative of how wonderful it is to have a burgeoning and dedicated local community that has incredible teachers and draws others.  When planning which workshops or trainings with John Friend I will attend, I look at whether there is an opportunity to combine a training with a visit to friends or family or an opportunity to see art exhibits or museums that are of particular interest to me.  I like to go to any trainings that I can get to by train and, like even better when it happens, where I do not need a car once I get to the training/workshop location.

    Next dance for me with the bigger community is the Anusara Grand Circle in Stratton, Vermont for the summer solstice.  My heart expands with the anticipation of being in the mountains of Vermont with clear, starry nights and bright, vivid almost endless days for a gathering of fellow yoga dancers, those I already know and love, those whom I will get to know better, and those I will meet for the first time.

    It is especially exciting to know I will have the opportunity to study with some of the incredible teachers in the international community I am honored to know, but from whom I have not yet had the privilege of taking a class.  It is also a great opportunity to be with people who are just beginning to get excited about Anusara (gatherings like this are a great opportunity to study with John Friend without having the formal application process.)

    Local yogis, I look forward to seeing you in regular class offerings in the neighborhood and Willow Street, including just until the end of May, Thursday night restorative yoga.  I expect delightedly to see you, too, as fellow students at many of the incredible offerings both in and around DC and the country.

    And if any of you are interested in coordinating a trip to the Grand Circle to celebrate the solstice, send me an email.

    Peace and light,

    Elizabeth

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    A Long Day

    I left the house this morning around 7:30 to go up and teach my regular classes at Willow Street, Takoma Park.  In the afternoon, I led a restorative workshop.  It was delightful to be with two dozen yogis who decided the best way to spend the last Saturday in July was to take a mini-break from the heat and the bustle resting deeply and exploring inside.  I felt wonderfully supported, having had amazing assistants, an excellent work-study helping at the desk and with clean-up afterward, and truly enthusiastic students.  I could not have asked for more, especially given how long a day it was following an intense return to work immediately upon traveling back from the retreat with Paul Muller-Ortega all in the same week.  After the workshop, I went out for an early dinner at Woodlands (Indian food) with a friend who had taken the workshop.

    When I got home, feeling ready to do my  own deep relaxation, I found tall ladders leading up to the roof.  I had been warned by the project manager for the solar panel installation that I am having done that the roofer who was working on putting up the parapet structure to hold the frame might be here today.  I hadn’t expected the roofer to be here at 7:30 pm, though.  As long a week and day as I might have felt that I had, these guys, whom I am sure worked hard outside all week in the heat, were really having a long day.

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