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Fall Session Theme–Inner Light

This morning, when I called weather, the meteorologist announced that sunrise is at 7am, sunset at 6:58pm.  As the nights grow longer than the days, it is a wonderful time to become more introspective, to use the principles of alignment to focus mind and body so that we are drawn ever more sweetly to our inner light.

In my classes this Fall, I will be emphasizing how we can use the Anusara principles of alignment to help continuously refine and focus our attention on our own and unifying sense of spirit.

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    Found Exhortation (and Samskaras)

    Over the years, our minds and emotional selves get clogged with junk unless we do something to clear things out and to avoid repeating old negative patterns (in yoga–samskaras).

    Our bodies, too, get clogged with junk energies that take us off-balance and ultimately manifest as illness unless we take care to eat well, exercise, sleep regularly, and avoid undue stress.

    A home filled with junk has its own samskaras and can prevent us from dissolving and liberating those of mind, body, and spirit.

    Do meditate, live a healthy life, and surround yourselves with only that which cultivates a more beautiful and generous life. You will likely be happier for it.

    Peace and light, E — Posted with WordPress for BlackBerry.

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    Gardening, Cleaning, Cooking (and Vinyasa Krama and Kali)

    Vinyasa krama is the art of sequencing.  How a yoga practice or flow is sequenced can determine whether it is uplifting or inward going, exhilarating or calming.  When we are trained and attentive, we start to know the most optimal order to open our bodies and our focus to align with the time of day, the season, the weather, our mood, and our health.  This incredible art helps us be positioned and aligned in a way that we feel free in time and space, rather than being constrained by time and space.

    This morning while I was out in the garden, I was thinking a lot about vinyasa krama and the goddess Kali — goddess of, among other things, time and change, and thus, of sequencing.  I woke very early, brought to consciousness by the long light of the solstice even through closed curtains.  As I went about my morning, rinsing the sprouts while heating the water for my morning coffee; cutting back the greens and herbs before starting breakfast; doing the major pruning and clean-up before doing more decorative garden work; finishing cooking before taking out the recycling; applying a facial mask before starting to vacuum; never walking up or down the stairs empty-handed; waiting to gather the bills until after I was clean and waiting for friends to arrive, etc., I realized how important sequencing is to the richness of my days.  By knowing the best way to order tasks for my needs, my day is simultaneously productive, unhurried, and enjoyable.

    By the time my friends arrived around noon, I had meditated, taken care of the garden, gathered food for my own breakfast and to share with friends, talked to neighbors, cleaned the house and myself, done a little asana, written in my journal, and sorted the mail.  Had I not known from long experience and conscious attention how to sequence all the different elements, knowing which ones went together, which took longest, which ones if done earlier or later would create double clean up, etc, I would have been tired and the tasks unfinished.  Instead, after brunch, I came home to a tended garden, a freshly made bed, and time to enjoy a quiet evening.

    These sequencing principles also apply for me on major projects at work.  If ordered one way, the work is exponentially harder, the deadline a fearsome thing; if ordered another way, everything comes together mostly as it should when it should.  When I order my work with attention (this assumes others cooperate with this endeavor), I have time to do a good, careful job and still take breaks, eat well, and leave the office in time to take or teach yoga class.

    Whether you are doing your home yoga practice or cooking or working, choose to sequence the elements of your practice, your activities, or your day, with attentiveness, reverence, love, and respect, and Kali will support you and not show you her most fearsome face.

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    Boy Leading a Horse

    Last weekend, I went with a friend to see The Steins Collect at the Metropolitan Museum.  I made a special effort to see the exhibit because of the incredible impact on art and culture that the Steins had by virtue of their collecting.  Many of the paintings in the exhibit were familiar; I’d seen them before either at the Met for those from its own collection, at other museums, or in books.  Some, which have ended up in other private collections or in the collections of museums that I have not visited, were completely new to me.

    Among the paintings in the exhibit is Picasso’s Boy Leading a Horse (which, as you can see from the link, the MOMA website currently indicates as “not on view”).  I’ve seen the painting many times before at MOMA.  The shift of location and context shook up my perceptions of the painting, and I indicated that to my friend.  Another woman who was looking at the painting too engaged in the conversation.  “It seems wrong here,” she said.  “It’s a different view,” I replied.  “It is disconcerting, but seeing it in different light, context, and company is enabling me to see new things in the painting and to find a more enhanced appreciation.”

    I have been thinking this week, and talking about it in my classes, how a change of context can bring us new vision.  How often, when things just keep going in a set pattern, do they collect dust and cobwebs (literally or figuratively)?  I asked my therapeutic students whether they had preconceived notions about various challenges of embodiment, especially the chonic ones.  Do you see them as part of your identity, something that causes you pain instead of giving you the joy of movement?  What if you embraced being ever more conscious of alignment instead of being conscious of pain and limitation (and learning better and sooner when you cannot get out of injury without outside help)?

    What of it?  What of the change of perspective?  After all, things get rearranged for us and the dissolution can be gradual or violent or something of both and be something of greater or lesser magnitude.   Times of flux and dissoluti9on are the perpect time for questioning, for new vision, for discovering new ways to experience what had become too familiar, for seeing how one might wish to shift one’s own perspective for the good, to know and take responsibility for one’s own place and piece of this relationship to whatever it is that is shifting, dispersing, or dissolving., to seek to become unbound from the habitual binds of whatever invisible clothing we might be wearing.

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