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    Red

    Fall is a time of reds and oramges, reminding us of the need to go to ground, to root, to delve into the deepest, earthiest part of ourselves.

    Peace and light, E — Posted with WordPress for BlackBerry.

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    Using Technique to Express the Virtue We Wish to Embody

    I got a ride home from the John Friend workshop in Bryn Athyn with my friend, colleague, and student Jen.  Jen’s husband, who is a dance professor at a local college, and her three-year old daughter came up to Philadelphia and visited friends during the day while we were at the workshop.  For the initial part of the road trip home, we sang several rounds of “if you are happy and you know it clap your feet,” a days of the week song, a counting song that involved a wiggle (or was it a wriggle) and a jump, the alphabet, and I think maybe “loop-de-loop,” and had some snacks, after which Jen’s daughter moved into silence and then sleep.  Before moving into silence ourselves, we spent some time talking about what we had learned and experienced at the workshop.

    “Do you have any good sound bites from the weekend?” Jen’s husband asked.  I said I did not have any particular sound bites per se, although there were a few things that would definitely provide inspiration for teaching and blogging.  “I have a good one that I think will make sense to you,” said Jen.  “John said that we can use technique to express the virtue we wish to embody.”  What I liked about the statement is that it put in universal terms that would appeal to a dancer and dance professor, or anyone who understands how technique assists the clarity of artistic expression, an essential element of the yoga philosophy and Anusara principles without requiring prior knowledge of the philosophy or principles.

    The statement is an encapsulation of the “three A’s of Anusara” — “attitude, alignment, and action,” which are the essence of practice (also see my previous post on how these principles correspond to the tattvas).  We always seek in every part of our practice and in every pose to open to grace, to soften and receive, to be open to the fullness of life and love, to see and reveal the good.  This is our “attitude.”  The universal principles of alignment are technique.  They are not just technique for the sake of perfecting technique, to discipline ourselves, or to make ourselves or our practice “correct.”  Rather, learning and practicing the alignment principles in an ever deeper and more refined way enable us to express more clearly and elegantly our attitude — in a word, embody the virtue of being open to grace.

    The songs we were singing in the beginning of the car ride, with an attitude of delight, also can serve the purpose of helping a child naturally to embody virtue.  Jen’s daughter was having fun with the sing-along toy.  She wasn’t singing because she needed to learn numbers, days of the week, and the alphabet to pass a test or to make sure she was right or to please her parents.  They were cheerful and fun for her.  When she sang along, it was out of delight.  She was, though, learning beginning language and arithmetic skills that will help her communicate and get on better in society.   As she grows older, in the absence of these skills, it would be hard for her to express her joyous spirit in a way that deepens conversation, relationship, and ability to participate fully in the obligations of society.   When we learn technique — in whatever area — we will be furthering our ability to embody virtue if we use the technique to enhance our skills to work for, offer, and express peace, love, nurture, and growth, rather than learning technique for the sake of accomplishment, worthiness of praise or remuneration, or needing to be correct.

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    The Breath Leads the Way (and Atha Yoga Anusasanam)

    I was reminded the other day of a principle of reading the great Hindu philosophical work:  all of the meaning of the text can be understood from not only the first sutra, but the first word.  The first sutra of The Yoga Sutrasof Patanjali’s is “atha yoga anusasanam” — now begins an exposition of the practices of yoga.  Implicit in the “atha,” the now, is that something else has come before.  The translations I have speak of previous study and preparation; the studies offered by Patanjali are not for the novice, but for one who has already been practicing.  If we read Patanjali’s first sutra with the implicit understanding that the first word contains all of the exposition to follow and that we do not need the rest of the explanation and practice if we truly understand the first word and sutra, then I think more must be meant here by “atha” than just this exposition now comes after previous study.

    In this latest contemplation of mine what the word “atha” must hold within it for the practitioner, I thought about the Anusara axiom of practice “the breath leads the way,”  which has been the alignment focus in my classes for the past week.  What does it mean to have the breath lead the way?  At its highest level, it serves to bring us back to “first principle” of “opening to grace.” (As an aside, I note that I  believe can apply to the Anusara principles of alignment the same method of understanding:  the principle “open to grace,” and even the first word “open” holds all of the other Anusara principles.  All the other principles and axioms are explanations and methods for living “open to grace.”)

    When we let the breath lead the way, we start each pose by a deep listening, an openness to something greater, an openness to the pulsation between the universal energies and our individual self.  We invite the subtle energies to support us and lead us like a great dance partner.  We actively surrender to the dance, while still bringing our own skill to our part of the dance, the way the partner being led in a waltz is skilled both in the dance and in being led.  In letting the breath lead the way in our yoga practice, we come to the very fullness of the present moment even as we move through a sequence of asanas in time and space.  Being open to grace in each moment, in each part of the pose, and allowing our self to be led by the pulsation of the breath even as we move with it, brings us to a recognition that in each moment, we are both part of the sequence of time and space and more than time and space (akrama krama).  We come to the  atha of samadhiWe use the practice of letting the breath lead the way to teach us to open to grace, to find the exquisite timeless fullness of being itself in order to illuminate all of our practice.  If we are already in that atha, that now, then we do not need any of the other practices or explanations, but if we cannot find it on our own, then again and again, the study and practice begins now — atha — so that we can experience in our very heart the fullness (purna) of our selves and better illuminate everything we do on and off the mat with the blissfulness of  that fullness.

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    Random Abstract

    I took this photo earlier in the evening before failed attempts simultaneously to photograph the cat on my lap and the impeachment proceedings on streaming video. I think of all those working so hard and so bravely. For some time, I sat paying attention and also meditating–my personal variation on a Quaker practice of having someone present sit and hold all in the light while the business of the meeting is being conducted.

    And I also made an extra donation.

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