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The Other Side of the Building
This is the view from the corridor just outside my office door. On the left is the Tax Court. On the right, is the homeless shelter where Mitch Snyder, advocate for the homeless, committed suicide. In between, the highway emerges out from under our building. At rush hour, especially on a rainy day, it is completely congested. Even on a cloudy day, not much light comes in the window. It is a north-facing view, and the windows are tinted.If I were to be standing at a window on the other side of the building, it would be bright with sun. On the left would be the Capitol and the west lawn. In the center, the National Botanical Garden’s graceful contours would gleam on the far side of the reflecting pool. To the right, the National Mall, flanked by museums, would stretch in the distance to the Washington Monument.
What is important to remember is that both sides are always present. When we are facing harshness, demands, suffering, and challenges, we need to remember that beauty and light are still present. When we are filled with abundance, beauty, and light, then we must remember that there are others who are challenged and suffering and make efforts to extend to them our own abundance and light.
Found Quotation (In Memoriam Toni Morrison)
Great description of true practice.

“First principle” (and akrama and krama)
When I think about the Anusara alignment principles in the context of the tattvas (see earlier posts), I think about “opening to grace” appearing in two places on the tier. As “first principle” it is the first among a larger sequence about how we come to the mat, rather than just the first of the physical principles. “First principle” not only starts the practice and the dialogue, but is already there. It is, in this sense, so fundamental that it is not part of the sequence, but is sequenceless (akrama). If you are fully conscious of “grace” and can embody it in all aspects of your physical, energetic, and mental day to day existence without further instruction, study, or practice, then there is no need for other practice or instruction (this I think is a very rare being, and certainly I’m not such a being).
The next set of tattvas — suddha vidya, ishvara, saddha shiva, and shiva-shakti (see link above), correspond to the Anusara alignment principles of “attitude, alignment, and action,” which although they are themselves described in sequence, are fundamentally sequenceless as they happen all at the same time and are more elemental than the practice of the physical/energetic alignment principles in sequenced practice.
In this way of understanding the play between the sequenceless and sequenced, we have a universal “first principle” that embodies the purpose of all we do on and off the mat. It is followed by how we want to practice, described in a way that becomes less of just a concept (which as a universal concept is akrama) and more of a practical understanding (which applies when we are in space and time and therefore in the krama of embodied existence). As we dance in this play between the sequenceless and the sequenced, we come to practice (or to do any activity) with the “attitude” of wanting to live the “first principle,” to know and experience what is fully present and not bound by time and space. We then (because we must) study and practice specific “alignment” to try and express this attitude with our “actions.”
The physical/energetic alignment principles then come in as a the way of better refining, studying, and practicing the desire to recognize with mind and body the “first principle.” The sequence of “open to grace, muscular energy, inner spiral, outer spiral, organic energy” comes then at the level of physical and mental practice to return us back to “first principle.” “Open to grace” is first in this sequence, too, but as “first principle,” for me, it is something more than the first of the alignment principles. “First principle” is not just the start of how we practice when we practice Anusara yoga, but the whole reason for practice. It is the universal, overarching, blissful element of being that draws us to the practice because of our yearning to know it.



