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A Sticky Spot

This afternoon I was having a conversation about cats with a co-worker. “Why do they prefer the plastic construction tarp (I was having a damaged ceiling repaired) to all the more comfortable locations around the house?” I wondered.

I showed her the silly cat photo:

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My friend started scrolling through the photos on my phone. She stopped at a heart-shaped cloud and said she liked it.  I told her that I regularly post photos of heart shapes I notice as I go about my day.  I said that it is a reminder to myself to be open-hearted (but with boundaries) as I live each day.

She said that she noticed heart shapes, too. She said that there had been a some kind of food or drink spill in the file room–she was sure that no one would have cleaned it up–that was a perfect heart shape.

We went to the file room. Yes, there it was, a sticky heart.

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    Web Version of Hot Summer E-Newsletter

    Dear Friends,

    Recent newsletters I have received from well-known yoga teachers, in addition to sharing their wonderful offerings and teachings about yoga, have included references to the Gulf Oil Spill, the on-going economic crisis, and the humanitarian tragedies in Chili and Haiti and elsewhere.  The information is presented as showing what yoga can do to help us better serve those in need, seek change in ourselves and the world around us, and find our own light in the face of things we cannot change, but these teachers are no longer keeping quiet about the presence of serious turmoil and tragedy.

    As one who has been outspoken (perhaps too much so) about such issues in the context of yoga, as those of you who follow my blog know, it seems that it is no longer possible to be silent.  We are all familiar with adages, “silence is golden” and “silence speaks louder than words.”  We are also invited, as yogis, to observe the four gates of speech to the best of our ability, on and off the mat:  (1) is it truthful?  (2) is it necessary? (3) is it the right time? and (4) is it said in a kind manner?  These gates are important for evaluating individual utterances.

    For the past couple of weeks, I have been thinking about turning the “four gates” on their head, turning them upside-down in the tantric tradition, and asking how they apply to silence.  When we are silent on an issue, on something that moves us, on something in a relationship that is important to us, are we being true to ourselves to be silent?  Are we being honest by saying nothing (for saying nothing is, indeed, saying something)? Is staying silent timely or is it truly timely to speak up (using the four gates as guidance on how to speak up?); is being silent kind–we’ve all done it ourselves or experienced cold or hostile silences?

    For me, more than ever, it is no longer the time to be silent.  We must speak for the light, for action, for aligning better with nature, for deepening community, for enhancing the subtle energies that will help us heal and grow and shift society.  As long as we are not practicing true “renunciate” yoga–giving up family, friends, shelter, and creature comforts, but instead are practicing the yoga of those still engaged in “regular” life, then we need to become more and more sensitive to how we can joyously affirm life, but passionately engage in seeking change that makes the light more available to all, while still going about our daily business.  This is a razor’s edge balance.  It can be so difficult to live consistently with our ideals, to speak and act in truth and kindness for ourselves and others the ideal all of the time.  Our yoga invites us to cultivate and celebrate our strengths, to affirm ourselves and then to expand.  Expansion can be intensely challenging and sometimes as much painful as exhilerating, but I think it is worth it.

    This summer, in classes, I will be inviting all to join me in the questions I am exploring for myself:  what is my intention?  How can manifesting my intention make life sweeter for myself and those around me?

    Join me for both class offerings and a special workshop up at Willow Street.  William Penn House classes continue with special pricing for public interest workers, students, seniors, and those with other challenges.  A portion of the proceeds from every student goes to support William Penn House’s work.

    At Willow Street, the Saturday morning class has changed:  it is now a “Fusion Flow” from 8:45-10.  What’s the difference between the flow class and Level 2?  We’ve already been doing a slow flow, but there will be fewer breaks, and more time for silence (a timely, nurturing silence), for students to get into their own groove to work towards manifesting their intention.  We will have music most times to bring in a stronger sense of the dance, but I will continue, as always, to emphasize healthy alignment for the class as a whole and be responsive to questions.  Gentle/Therapeutics is at noon as usual.  There’s a free class weekend up at Willow Street where I will be teaching both types of classes on July 17th in the Takoma Park studio and Gentle/Therapeutics in the Silver Spring Studio on Sunday July 18th.  The summer session starts on July 24th.  Those who sign up for a class and a workshop simultaneously, get a $20 discount.  For more information or to register on-line, please visit www.willowstreetyoga.com.

    Want a siesta-like retreat from the heat?  Ready for some relaxation and self-nurture?  Treat yourself to two blissful hours of restorative yoga poses for a sweet afternoon retreat without all the travel!  All levels welcome at the:  Summertime Restorative Extravaganza, Saturday, July 31, 2010, 2:30pm-4:30pm, Willow Street Yoga Center, Takoma Park.  $35.

    As always, feel free to email me with questions or comments or join me on the blog:  www.rosegardenyoga.com.  Just FYI, we’ve fixed the issues with subscribing to the blog.  If you haven’t already, just hit subscribe on the home page, follow the instructions, and then get an email in your inbox the day after I’ve posted a new blog entry.

    Hope you are all having a great start to your summer and look forward to seeing you soon.
    Peace and light,

    Elizabeth

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    An Armload of Radishes

    This morning I went to my community garden plot around the corner before I got ready to head into Georgetown to volunteer at The Lantern Bookshop.

    I ws delghted to find enough snowpeas for a good-sized stir-fry and several zucchini almost ready to be picked (I only get zucchini at the very beginning of the season before the squash borers invade, but if I start early enough, I can get a few pounts of squash and a couple of meals worth of blossoms before I surrender and plant something else).

    The tomatoes were flourishing (no sign of blight. If you have your own plants, keep an eye close for blight; it’s aleady been seen in Maryland. Cherry tomatoes are more resistant, so I’ve concentrated on those).

    I should have the first cucumbers big enough to pick next week, and I have plenty of lettuce.

    The radishes, though, had exploded. “Should I have a radish-themed dinner party?” I thought. “What am I going to do with all of them?” I am not especially fond of radishes. I plant them because they mature very early, they thrive on benign neglect, I have friends who like them, and they give the same crunch I’d prefer from a cucumber weeks earlier.

    I’ve also discovered I like them cooked. Just as you can prepare turnips and their greens together, it also works well with radishes.

    As I was walking home with a bunch of radishes that I could hardly get my hands around, I bumped into a neighbor. I don’t know her well, just recognize her face. “Do you want some radishes?” I asked, hoping I did not sound like I was begging. She hesitated, but then seemed to realize that she would be doing me a great service by accepting them. “You can cook the greens,” I said as I handed her a nice-sized bunch, “and also the radishes themselves if they are too strong.”
    “I’ve never done that,” she said.

    Here’s the recipe I gave her on the street (with a little more detail here):

    Wash radishes and their greens well. Cut radishes into thick coins (this works best with oblong radishes sich as French Breakfast). Cut off the white part of stem nearest radish. Then cut the bunch horizontally so that you have half inch wide shreds. Mince some garlic, onion, and ginger. Stir-fry aromatics in peanut, safflower, or canola oil until translucent. Add the radish coins and stir until well-coated with oil. Add greens, stirring continuously until all the greens are wilted. Add some rice wine vinegegar and cook until absorbed and the grrens are just tender. Take off heat and sprinkle with soy sauce or Bragg’s Amino Liquid and toasted sesame oil to taste.

    “What a nice morning,” my neighbor said, “fresh radishes from the garden and a recipe.

  • | | |

    The Exquisiteness of Order (Winter Theme)

    By order, I mean how things are arranged in space or time.  Even chaos theory presumes order in that sense.  On and off the mat, there is a certain order to things that is optimal.  We do not plant seeds and then till the soil.  Or think of the difference between peeling and chopping vegetables and then cooking them or cooking them and then peeling and chopping them.  One or the other is not necessarily wrong if you do not have a specific dish in mind, but which you choose will dictate the results. Once you have gotten started in the sequence, though, the path shifts and is partly set.  To reach an exquisite rather than a disgusting result, the next steps are ordered by the initial choice.

    If only one musician is playing a single note, then there is no possibility of discordance.  Add more musicians and more notes and who plays what notes when can mean cacophony, a catchy tune, or an extraordinary and ecstatic work of art.  None of us are alone and none of us are playing just a single note, so in the great fabric of our being, it is best to understand how to make music.

    Sequencing on the mat is more subtle than what poses should be done in what order in a particular practice to emphasize backbends v. forward bends and twists to be able to do the strongest poses with the least possibility of injury, as important as that is.  The order in which we apply the Anusara principles not only aligns the physical body, but brings symmetry to the physical and energetic bodies, helping us to feel more in harmony in everything we do on and off the mat.  I am, in this, a decent musician and not Bach, but the more I pay attention to the optimal sequence of things (keeping in mind that over most things we have no control as to when, whether, and how they happen) and the more I learn and appreciate the exquisiteness of order, the more I feel, understand, and experience the subtleties and joys of harmony.

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