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    Yoga of Eating Part I (what it is and what it isn’t)

    Yesterday, a former student of mine stopped me in the hallway at Willow Street and asked whether the “Yoga of Eating” workshop I will be leading on June 13th  will cover Ayurveda.  “I will mention it,” I said, “but I will not be teaching it.”  I didn’t have time to explain further because I was about to lead class.  As far as I got was to add that I was not sufficiently trained to teach it.

    Ayurveda is a wonderful science, and I honor and respect my yoga friends and colleagues who study, practice, and teach Ayurvedic principles.  Ayurveda is a much broader discipline than yoga, though, and is really medical practice rather than yoga.  Asana are among the practices that might be recommended by an Ayurvedic practitioner for a client or patient, but eating in accordance with the Ayurvedic principles is not the same as bringing yoga to how we eat.  For me, many of the principles of Ayurveda I have read or been taught are useful, but it has not resonated for me as a governing system, just as I do not believe in applying all of the principles of Western medicine to how I heal and nourish my body.

    Bringing yoga to my eating, like bringing yoga to all of my life off the mat,  is both simpler and harder than being taught a science such as Ayurveda with fairly clear, but quite complex, do’s and don’ts and then following them.  For me, practicing the yoga of eating, is practicing conscious eating.  It is practicing reverance and moderation.  It is balancing nourishment and pleasure.  It is knowing deeply when the will to eat is serving us or getting in our way.  It is both simple and subtle.  It is easy to say, but deeply challenging and sometime complicated to practice — just like practicing the Anusara yoga principles of alignment.

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    Web Version of May Newsletter–Invitation to the Dance

    Dear Friends,

    One of the most captivating elements of dance as artistic expression for me is that it has the capacity to show the beauty in the full range of emotions.  Whether the choreographer is telling a story or sharing an impression, making a political statement or expressing a feeling, the dancer’s inherent grace can show us that there is beauty in all things, helping us through the artistic medium to abide with what might otherwise seem emotionally intolerable and to celebrate more fully that which would naturally make our hearts sing.

    Since I first began practicing asana, it has been for me an embodiment of the dance.  The exquisite technique of the Anusara® principles of alignment  transformed healing work into a dance of exploration.  The expansion of my strength and flexibility in middle age — when because of my dance history I thought only would contract with age — allowed me to express progressively more fully the joy I find in my body.

    This year, John Friend’s overarching theme for his workshops and trainings around the world is “Dancing with the Divine.” The theme resonated especially fully for me because I started attending regularly last fall the Sunday contact improv jam on Capitol Hill and have been re-exploring dance after all the shifts I have made with an ever-deepening asana practice.  It has been with an eye towards not only my own dance, but the connection of the community, and our dance of relationship with our living planet that I am choosing which trainings and workshops to attend this year.

    When deciding what my study priorities are for the year, I look first at where my practice and teaching could benefit from some deep attention and wisdom offerings.  I look to the local offerings to deepen my connection to my home community and to minimize the environmental impact of getting to be in the same room as the teacher.  I am thoroughly appreciative of how wonderful it is to have a burgeoning and dedicated local community that has incredible teachers and draws others.  When planning which workshops or trainings with John Friend I will attend, I look at whether there is an opportunity to combine a training with a visit to friends or family or an opportunity to see art exhibits or museums that are of particular interest to me.  I like to go to any trainings that I can get to by train and, like even better when it happens, where I do not need a car once I get to the training/workshop location.

    Next dance for me with the bigger community is the Anusara Grand Circle in Stratton, Vermont for the summer solstice.  My heart expands with the anticipation of being in the mountains of Vermont with clear, starry nights and bright, vivid almost endless days for a gathering of fellow yoga dancers, those I already know and love, those whom I will get to know better, and those I will meet for the first time.

    It is especially exciting to know I will have the opportunity to study with some of the incredible teachers in the international community I am honored to know, but from whom I have not yet had the privilege of taking a class.  It is also a great opportunity to be with people who are just beginning to get excited about Anusara (gatherings like this are a great opportunity to study with John Friend without having the formal application process.)

    Local yogis, I look forward to seeing you in regular class offerings in the neighborhood and Willow Street, including just until the end of May, Thursday night restorative yoga.  I expect delightedly to see you, too, as fellow students at many of the incredible offerings both in and around DC and the country.

    And if any of you are interested in coordinating a trip to the Grand Circle to celebrate the solstice, send me an email.

    Peace and light,

    Elizabeth

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