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The Murtis Rearranged Themselves Again
It’s an idiosyncratic grouping, but it is my weaving of stories for the moment.
I believe the brass dish under the cactus on the left was a wedding present, though I am not absolutely certain of that. It was a long time ago.
The cloth with the tassels came from a shaman in Peru; I was there for 9/11.
I bought the gray scarf when I was in Costa Rica on a retreat with John Friend from a world-traveling fellow yoga practitioner who had brought an array of beautiful scarves to Costa Rica from Thailand.
Other things were brought home from India–mostly by me, but one a treasured gift from a friend.
The porcupine quills were also an inspired and loving gift.
The square of marble under the cactus on the right I found on the street in the neighborhood. The cactii came from a yard sale over a decade ago. They were being sold for only blooming once a year.
The bit of mother of pearl comes from Centerport beach on Long Island. I went there last fall the day before my father’s memorial service.
Other things came from vendors at Eastern Market and one from New York City.
The chestnut is from Stanton Park. I picked it up on my way to work one beautiful day last year.
The heart-shaped stone came from Arizona when I was on a meditation retreat some time late in the last decade. I’ve been to some really lovely places on this planet.
The mala Kuan Yin is wearing I strung and designed: rudraksha beads from my first meditation mala (which had broken), labradorite, and emeralds on silk thread.
The jet beads belonged to my grandmother Rose.
There’s a story about the lump of black and red rock behind Ganesha, but I think I’ll leave that for another day.
What Students Hear
Last week I took a lovely all-levels yoga class where the emphasis was on fully engaging in the practice rather than striving to achieve a particular outward notion of what the poses should look like.
Near the beginning of the class, but after the emphasis on not striving had already been discussed, the teacher said that the ideal form in uttanasana — standing forward fold — for classical hatha yoga is with the feet together. But, he said, however, he said, but not, the teacher explained, if your back is curved like a “c” in the pose, and your lumbar vertebrae are higher than your sacrum. In that case, you want to take your feet wider apart or you will strain or injure your low back.
As I was fully into the pose, I could see the rows of students behind me. At least two fellow students in my immediate line of sight, promptly put their feet together, even though they had tight hamstrings and bulging lumbar spines and were clearly pushing themselves hard to get their fingertips to the floor. As soon as the word “ideal” was uttered, they could not hear the caution or could or would not apply it to themselves.
The evident intent of the teacher in his exposition of the pose was to give an example where the “ideal” form is most certainly not ideal and will not further the reasons we practice asana. But for so many in this society, striving is such an ingrained way of being, that yoga class can become just another way to achieve.
It was useful for me to witness how carefully one must teach to high achievers this principle of the “ideal” being what suits and not what will win accolades. How do we teach (and learn) the practice of goalless goals, of enjoying working for fitness (of the mind, body, and emotions) without pushing and striving? I’m pretty sure that invoking the principle of actionless action from the Bhagavad Gita would not have made a difference here. It seems a shame to think that the only way to protect all the students’ backs is never to mention the classical form of the pose, and to have to tell all the students (especially in a big class) to have their feet apart (or some similar alignment rule)for protection of the few who do not (or are not yet ready) to hear the whole lesson.
Peace and light, E — Posted with WordPress for BlackBerry.


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