I may have posted this before or I may have forgotten that I thought about doing so. When unable to remember something, it is better to be stuck in a happy space than in an unhappy one.
Peace and light, E — Posted with WordPress for BlackBerry.
Peace and light, E — Posted with WordPress for BlackBerry.
Peace and light, E — Posted with WordPress for BlackBerry.
Peace and light, E — Posted with WordPress for BlackBerry.
Peace and light, E — Posted with WordPress for BlackBerry.
The cherry trees are starting to flower–two weeks earlier than an average spring and likely to set a record.
In my own yard, the greens that over-wintered and are newly coming up are suffering from lack of rain and May/June temperatures. Though it is still technically winter, the lowest lows are in the high 40s F in the 15-day forecast. It is still risky to take out the tropicals, though if the 15-day forecast looks the same in mid-April, I will go for it, even though historical last frost is in May.
What cannot wait is planting cool weather vegetables such as snow peas. They still might not thrive if the unseasonable warmth and lack of rain do not level off. But Spring is so early that now is the chance to catch the growing season.
As I can go to the grocery store and the farmers’ market, I could just let the season pass me by, ignoring the realities of the season we are getting.
Much of the reason I garden is to heighten consciousness and connection to nature. If I do not make sudden adjustments the way a farmer would to, then I am missing out on a great opportunity. That meeting the unexpected time constraints imposed by abnormal weather patterns is not in sync with my schedule just highlights the importance of us needing to shift ourselves to be aligned with the great flows of energy.
Enjoy your gardens (strawberries will be early too–i already have some plants starting to form fruit).
Peace and light, E — Posted with WordPress for BlackBerry.
Every time I walk past this sculpture, I wonder whose idea it was to repaint it. For a long time it the gilding was chipped and faded. For me it had much more charm showing its age.
So too, I think, with humans. It is great to feel and look youthful naturally because of proper care of health, and quite another to disfigure ourselves and our looks with surgery and treatment seeking always to look like we have not fully lived out some life.
By all means, seek to remain vibrant and supple, but do please also honor the signs of experience.
Peace and light, E — Posted with WordPress for BlackBerry.
Much is made by Westerners of the exhortation in Eastern practice to be in the present moment, but it often is used as justification for a feckless disregard for others, for our history, and for our own power to change and grow.
Being fully in the moment at all times (easier said than done) by virtue of the fullness of presence itself, leaves no room for belaboring the past or being anxious about what might not come to pass, which is wonderful indeed.
To be truly present, though, to live in the “now” is an artful dance. It requires being fully in the moment, while simultaneously honoring and learning from the past and taking responsibility for the future. It is thus that we live best–both recognizing ourselves as beings in the fabric of space and time, yet simultaneously experiencing the universal joy unbound by the limitations of space and time. This is, I think, the ultimate point of the practices.
Peace and light, E — Posted with WordPress for BlackBerry.
Last weekend, I went with a friend to see The Steins Collect at the Metropolitan Museum. I made a special effort to see the exhibit because of the incredible impact on art and culture that the Steins had by virtue of their collecting. Many of the paintings in the exhibit were familiar; I’d seen them before either at the Met for those from its own collection, at other museums, or in books. Some, which have ended up in other private collections or in the collections of museums that I have not visited, were completely new to me.
Among the paintings in the exhibit is Picasso’s Boy Leading a Horse (which, as you can see from the link, the MOMA website currently indicates as “not on view”). I’ve seen the painting many times before at MOMA. The shift of location and context shook up my perceptions of the painting, and I indicated that to my friend. Another woman who was looking at the painting too engaged in the conversation. “It seems wrong here,” she said. “It’s a different view,” I replied. “It is disconcerting, but seeing it in different light, context, and company is enabling me to see new things in the painting and to find a more enhanced appreciation.”
I have been thinking this week, and talking about it in my classes, how a change of context can bring us new vision. How often, when things just keep going in a set pattern, do they collect dust and cobwebs (literally or figuratively)? I asked my therapeutic students whether they had preconceived notions about various challenges of embodiment, especially the chonic ones. Do you see them as part of your identity, something that causes you pain instead of giving you the joy of movement? What if you embraced being ever more conscious of alignment instead of being conscious of pain and limitation (and learning better and sooner when you cannot get out of injury without outside help)?
What of it? What of the change of perspective? After all, things get rearranged for us and the dissolution can be gradual or violent or something of both and be something of greater or lesser magnitude. Times of flux and dissoluti9on are the perpect time for questioning, for new vision, for discovering new ways to experience what had become too familiar, for seeing how one might wish to shift one’s own perspective for the good, to know and take responsibility for one’s own place and piece of this relationship to whatever it is that is shifting, dispersing, or dissolving., to seek to become unbound from the habitual binds of whatever invisible clothing we might be wearing.
