A Bit of Beauty
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Yoga of Eating Part I (what it is and what it isn’t)
Yesterday, a former student of mine stopped me in the hallway at Willow Street and asked whether the “Yoga of Eating” workshop I will be leading on June 13th will cover Ayurveda. “I will mention it,” I said, “but I will not be teaching it.” I didn’t have time to explain further because I was about to lead class. As far as I got was to add that I was not sufficiently trained to teach it.
Ayurveda is a wonderful science, and I honor and respect my yoga friends and colleagues who study, practice, and teach Ayurvedic principles. Ayurveda is a much broader discipline than yoga, though, and is really medical practice rather than yoga. Asana are among the practices that might be recommended by an Ayurvedic practitioner for a client or patient, but eating in accordance with the Ayurvedic principles is not the same as bringing yoga to how we eat. For me, many of the principles of Ayurveda I have read or been taught are useful, but it has not resonated for me as a governing system, just as I do not believe in applying all of the principles of Western medicine to how I heal and nourish my body.
Bringing yoga to my eating, like bringing yoga to all of my life off the mat, is both simpler and harder than being taught a science such as Ayurveda with fairly clear, but quite complex, do’s and don’ts and then following them. For me, practicing the yoga of eating, is practicing conscious eating. It is practicing reverance and moderation. It is balancing nourishment and pleasure. It is knowing deeply when the will to eat is serving us or getting in our way. It is both simple and subtle. It is easy to say, but deeply challenging and sometime complicated to practice — just like practicing the Anusara yoga principles of alignment.
- Art and Culture | Asana, Pranayama, and Yoga Practice | Food for the Body | Food for the Mind (Yoga Philosophy, etc)
World Wide Knit in Public Day (and Vikalpa Samskara)
World Wide Knit in Public Day is this weekend — June 13th (and 14, 20, and 21). What will you be knitting? I have started a pair of leg-warmers. The pattern was really for ankle warmers, but I have chosen to make them longer than the pattern suggested. The nice farmers who raise the sheep, spin and dye the yarn, and sell it at the Dupont Fresh Farm Market, called them “yoga socks.” The yarn is beautiful. The sample pair looked like something I would want on my feet in colder weather. The project was small enough to tuck into my carry bag. Definitely a go for summer knitting (unlike the three-quarter finished mohair shruggy that has become a lapful of furry stuff).
“Why are they so short?” I asked. “We had originally designed them to be longer, but our teacher said we might need to grab our ankles?” they explained. “When would you do that, when it would not matter whether you were touching fabric instead of your skin,” I puzzled out loud, not out of criticism, but really wanting to know, thinking maybe in Pilates. The farmers could not really think of a reason. I bought an extra skein along with the kit to make the — oh, let’s call them footless socks — calf height. The yarn has a bit of a stickiness to it, so they are not slippery. They will be good to wear for yoga.
I’ve never knitted on double-pointed, size 2 needles, in the round before, though I happened to have four in the house (picked up at a yard sale for a $1 a decade or two ago and put in the sewing box). I tend not to knit from patterns for whole projects. So I had a little learning to do. The pattern did not explain how to use the double-pointed needles; that knowledge was assumed. I am not used to the contraints of following a pattern. Doing so, on occasion, though, forces me to learn a new technique. It took my a couple of hours to get into the rhythm, but now I’ve eased into the project.
I sometimes seek the same type expansion with cooking. Though easily able to cook something delicious without a recipe with most ingredients, sometimes I pick out a complicated recipe just to expand my skills in the kitchen.
Yoga, most of all, benefits from a combination of free exploration and attentive development to the knowledge imparted by a teacher. We are most full and expanded when we combine experience and teachings. We receive the teachings and then we practice again and again to make it not just our own experience, but part of our being. This process is called vikalpa samskara.
- Art and Culture | Asana, Pranayama, and Yoga Practice | Food for the Mind (Yoga Philosophy, etc) | Meditation
The Search Continues (based on some dreaming)
In 2000 or 2001, shortly before I started practicing Anusara yoga, a teacher who regularly played music in class, played for us a recording of Alice Coltrane singing a tantric chant to Siva and the Goddess Bhuvaneshvari. I only heard the chant once while we were in savasana — corpse pose/final relaxation. Although I only heard the chant once, for several months afterwards, I found myself having a recurring dream that I was wondering in a neighborhood that looked like the one where I grew up and went to high school and chanting the full chant. At the time I merely found it curious that I seemed to have learned the sanskrit just by hearing the chant one time. I have since learned that the recording may have been done right near my high school; that is where the Coltrane’s had a recording studio. I also learned that the chant was a tantric chant. At the time, my teachers were coming from a classical yoga perspective. Did I actually learn the chant by osmosis? Was having the very vibration of the chanting near where I lived and studied the catalyst for me, as a receptive being, discovering a path of tantric yoga?
I have found other recordings of the chant. One is Atman’s “Dancing to the Goddess” on the Eternal Dance CD, which is an electronica version. The other is Ragani’s “Om Mata” on the Best of Both Worlds, which is a very nice kirtan/pop version. I have several of Alice Coltrane’s recordings, which are great jazz, if you aren’t familiar with Alice Coltrane as a fabulous musician in her own right. Recently I searched again on the internet to see if the bootleg had become available. There was nothing on YouTube (though some good Alice Coltrane things to watch). I bought Alice Coltrane’s “Radha-Krsna Mana Sankirtana,” which was originally recorded in 1977 (when I was in high school) and reissued in 2005, as I thought that was a promising source. It has some good things on it, but no luck finding the recording I wanted to hear.
The chant goes like this:
Samba sadasiva, samba sadasiva, samba sadasiva, samba shambo.
Om mata, om mata, om sri mata, jagade mata.
Om bhuvaneshvari, sri bhuvaneshvari, hari parashakti, devi bhuvaneshvari.
It is a chant to the benevolent, auspicious one within, the radiant goddess, the creatrix of the world. Bhuvaneshvari is one of the ten wisdom goddesses.
Please advise if you have access to the Alice Coltrane or another recording of this beautiful chant.
