Similar Posts

  • | | | | |

    Signs Around Town (and Symmetry)

    Advancing
    The practice.
    Community.

    I spied this sign yesterday in the exhibitor hall on the lower level of the Marriott in Woodley Park. I was attending a portion of the 38th Annual Conference of Enrolled Actuaries. (Go ahead: I dare you to put that into your favorite search engine).

    Although this sign was to invite enrollment in one of the actuarial professional organizations, it seems most similar to the stated aspirations of various yoga groups and schools.

    I’m not surprised by this symmetry. I think that anyone who seeks to live so that employment and dharma (aligned life) are in harmony and who supports, participates, and works in community, is living like a yogin, though perhaps never knowing about or having any interest in yoga per se.

    There are many life paths and humanistic and spiritual practices that guide life towards a contented path of service, the true reason, to my thinking, for a steady, long-term yoga practice (including asana, pranayama, and meditation).

    I personally find the yoga practices to be among the most helpful ways to engage my body and mind for my health and well-being. Among other things, the practices have helped me listen with open enough awareness to be able to comprehend with my law-trained mind some small portion of the language of actuaries.

    Peace and light, E — Posted with WordPress for BlackBerry.

  • | |

    “Inspiration Cards”

    I adore having a library and will rarely say no to a philosophy text or a book about anatomy, therapeutics, or yoga methodology.  I am less interested in “self help” types of books or gadgets.  Every once and a while though, I come across something that truly supports my practice and my teaching.  When I first went to Inner Harmony to study with John Friend in mid-2003, there was an altar in the corner of the practice room, just at the entrance.  On the altar was a set of cards (a little smaller than 2″x2″).  Each card had a word in English, the devanagari, and the sanskrit of the word transliterated into our alphabet.  Following the lead of others who had been to Inner Harmony for previous retreats, at the beginning of the day, I would select a card and think about how the word on the card might inform my practice and intention.

    At that time, I was first starting to use Anusara’s “heart-oriented posturing language,” using a theme for class that was designed to lead the students into a deeper place in their hearts through their asana practice, and I found that the cards were an excellent source of inspiration.

    Even though I first bought the cards in 2003 to serve as a basic class preparation aid, I have continued to use them regularly for my own practice and contemplation.  Often, the word that appears resonates with something that is of immediate concern.  The day after Becky (my beloved cat who lived to be 21) left her body last year, I went to the set of cards, which I’d not used in a couple of months.  The card that I selected at random (like picking a card from a deck when someone is showing you card tricks) was moksha — liberation, and in classic yoga, literally liberation from the body.  I was moved to tears.

    This summer, with myself and my students, we have been working on manifesting intention.  As I’ve blogged about previously, I invited us to think about an intention.  Whether an intention is something basic with the body or mind or something more universal, whenever we seek to manifest an intention, ultimately it is because we want to be more blissful, more open, and more at peace with ourselves and others.  The question becomes how do we use our practice both to discover an intention and to seek to make it manifest.  To help me with the contemplation of this question, I have gone again to the cards as a source of inspiration.  This week, the card that turned itself up was racanatmakata — creativity.  “Perfect,” I thought, when I saw the word.  Creativity is a human reflection of the wild, pulsing, diverse and ever-extraordinary dance of all being.  When we open to our creative impulse to allow things to unfold, we can witness the fullest range of possibilities and the variety of paths to manifestation.

  • | |

    What’s Blooming Inside Right Now for Me (is it “forcing” or inviting?)

    I’ve been living with blooms from bulbs since just before Christmas.  The amaryllis in the vase is the third bloom from a bulb I bought at the beginning of January; the third stem got too tall, so I put it in a vase, so it would not topple over.  The orchid I have had since it was about half this size and have been tending it by bringing inside and out with the seasons for over a decade.  It has bloomed every February without fail.  The paperwhites were a gift.  I enjoy a little of the scent, but find the usual presentation of several flowers simultaneously overwhelming.  I have brought them to flower one at a time.  As soon as the bulb flowers (and inevitably needs to be propped up somehow), I have cut the flowers to put in a vase and started the next bulb.  By the time the flowers in the vase have faded, the next bulb is budding.

    The cherry blossoms — this is why I dreamed of cherries blossoming; I had them in my bedroom.  In a previous post, I showed the nearly bare branches from a tree that had fallen in the blizzard.  Although gardeners would call bringing the branches inside “forcing,” I wonder whether I really “forced” these blooms.  What I did was take branches that would have gone to a landfill, brought them into an auspicious environment and invited them to bloom.  This seems to me, not unlike using props in yoga:  I might not be able to experience the full opening of a pose myself, but if I properly use props, I can expand what I can experience.  It is not the same as doing it on my own, but it still gives me a different sense of the beauty that can be experienced, just like bringing in branches that otherwise would have fallen or need to be pruned into the house to reveal their glory in advance of the spring blooming outside.

    The last photo is of dogwood and cherry that were on the side of the street two days ago (cherry tree down at the Japanese War Memorial); dogwood in a pile on the north side of the street in the 300 or 400 block of D Street, NE.  Start your own blooms, there is more winter in the forecast.  I am fairly certain from my previous experiment that the cherries will start blooming in a couple of weeks, but it remains to be seen whether the dogwood will want to open.


  • | | |

    0herry Blossoms in the Rain

    As I have walked around town enjoying the spring surge of blossoming trees, I found myself remembering that our most famous cherry blossoms were a gift from the Japanese, which remembrance sent a deeper yearning to help send healing.

    At one sunny, pink-blossomed drenched moment yesterday, I found myself asking how could one’s heart not reach out to a people who brought us such beauty. I then thought that this country had no problem incarcerating “those” people on “our” soil and bombing their country when the arrival of the gift of our famous cherry trees was still in living memory. At that time, “they” had become our country’s enemies because of the actions and statements of those in power. The gift had become irrelevant in the context of war.

    The peril in both thoughts is that they distance us from opening and relating to the essential identity and humanity in all of the individuals we meet of various nationalities and alliances–whether in a time of gift-giving or in a time when we cannot abide the actions or ideas of those in power.

    Peace and light, E — Posted with WordPress for BlackBerry.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.