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    “Good Night Irene Good Night”

    When a hurricane that is predicted to be perhaps the worst in 50 years for the East Coast shares the same name as one’s mother, news of the impending destruction is bound to bring up childhood memories.

    I grew up with the song “Good Night Irene” as part of my childhood mythology.  My parents met in Greenwich Village in the late 50s, which was a time when folk music was the thing.  We all love songs about someone with our own name, so “Goodnight Irene” was one our mother taught us.  If memory serves, we had recordings in the house by Leadbelly and the Weavers to which my older sister and I danced around the living room.

    A search in You Tube reveals that it has been a popular song to cover for decades.  Which is your favorite?

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    Lady Macbeth (and Bhavana)

    The young woman sitting next to me on the train north from New York, who is impossibly tall and has lovely, strong features (i.e., is perfectly cast), is memorizing Lady Macbeth’s lines.

    I had on my own lap print-outs of mantras that Paul Muller-Ortega has invited us to memorize as part of our continuing studies.

    To enter the character of Lady Macbeth, one of the first steps is to memorize the lines, to know completely what she says and not just to hear it and appreciate it. Memorizing the lines is an essential part of the route to becoming Lady Macbeth.

    Paul Muller-Ortega has suggested that the reason to memorize various mantras is not to acquire them, not to be able to demonstrate a superficial knowledge or skill, but to aid in the profound practice of
    bhavana–deep contemplation at the heart level. It is not the fact of memorization, but the activity of memorizing. It is no accident that we call memorizing, “knowing by heart.” We seek to learn by heart to invite ourselves into the space of concentration that requires. It is a slow and difficult process for me. I persist, though, because of the deepening and expanding understanding it facilitates.

    I note for those yogis (and other readers) who might find the idea of learning mantras alien or uncomfortable or apparently at odds with your own religious beliefs or practices, that studying the mantras does not require or make one a Hindu. I think of it as an invitation to understand and embody the highest archetypes and principles they invoke and represent and compatible with my other observances.

    Peace and light, E — Posted with WordPress for BlackBerry.

  • Found Objects Around Town

    I confess that I needed to turn over to find the answer. I do not feel any call to learn the Bible for my salvation, but given the influence of religions that claim to be informed/derived from this text in this democratic form of government, it seems to be something I need to know better to be an educated citizen.

    Peace and light, E — Posted with WordPress for BlackBerry.

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    Untitled (and Jnanam Bandaha)

    For me “untitled” as the “title” of a work of art means that the image speaks for itself and that to name it would be to bind the viewer from access to a “pure” and open response of his/her own.

    In the yoga philosophy much is made of the fact that any attempt to describe mystical (for want of a better word) experience already veils or distorts the experience and that which has been experienced.

    Sometimes, then, I show what I cannot say in words, recognizing that the camera, too, alters and separates the viewed and the viewer.

    Jnanam bandaha, by the way, is the second sutra in the Siva Sutras and means roughly, knowledge is bondage. Later in the text, we are also told that knowledge alone liberates. It is a delicious paradox for contemplation.

    Peace and light, E — Posted with WordPress for BlackBerry.

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