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    “Bob Dylan is a strange one,”

    ByElizabeth

    says the man next to me with a slightly interrogative inflection, while we are both looking at a photo of Dylan taken by Alan Ginsberg at the show of Ginsberg’s photos at the Nat’l Gallery. He is a beefy guy with a crew cut, wearing chinos and a polo shirt. He looks like he’s maybe one of the thousands of police officers from around the country who are here for “Police Week.” Lots of police wives are taking a break from the demos and competitions to look at the impressionist and modern paintings from the Chester Dale Collection. Maybe he just got a little farther west than he had intended.

    I smile at him in a way that I hope seems welcoming and open, yet does not actually convey agreement with his statement. I wonder how he felt about the photos ofd the Orlovsky brothers. I am at the exhibit on my lunch hour for the first of what will likely be a number of visits.

    The Beats are an important part of my identity. My parents met in Greenwich Village in the late fifties — my mother dabbling as an artist, my father involved in peace activism, the places they frequented also frequented by the beats. My great Aunt H’s favorit book in those days allegedly was “On the Road.”

    As a teenager, I relished and romanticized this part of my history. In so doing I read widely not only the writings of the Beats, but also what they were reading, which included the great Hindu and Buddhist texts. To want to discover the illumination of the Beats was to explore Eastern philosophy and mysticism and to meditate and practice yoga.

    “No,” I thought to myself, “I’ve never connected the word ‘strange’ to Bob Dylan. Maybe when I get home I”ll play me some before I sit to meditate.”

  • Walking Barefoot on the Beach

    ByElizabeth

    Walking on the beach is a wonderful way, not only to work your feet in a way that is not possible in the confinement of shoes, but also to witness the tendencies of your gait.

    After years of paying attention, my feet are fairly straight, and my weight is reasonably distributed. I tend to turn out a bit, especially with my left foot and when walking is more challenging (here, in soft sand on an incline).

    Do your feet turn in or out in a way that increases stress on all the joints above your feet?

  • Midnight Yoga

    ByElizabeth

    Every once and a while, I find myself restless at bedtime or wakeful in the night.  The following series serves to make it easier for me to go to sleep and for me to feel fully rested as if I had not been short sleep:

    1.  Vipariti karani (legs up the wall).  Start with legs up the wall for five minutes or longer, then move legs into baddha konasana (butterfly) for several breaths, then put them back up the wall.  While your legs are up the wall, first just watch the breath.  Then concentrate on the breath, inviting the exhales to be twice the length of the inhales.

    2.  Twisted forward bend.  Using a bolster and a folded blanket (or two or three folded blankets) lengthwise on your mat, place the left thigh next to the edge of the blanket pile, allow yourself to sit heavily.  Staying sweetly grounded, hug your hips together to embrace your core and then draw the left waist back as you bow forward onto the support of the blanket. You can allow your forearms and hands to rest on the floor or you can bend your elbows a little more and tuck your hands between the blankets under your forehead.   Keeping the attention on the breath, inhaling lovingly draw in, exhaling more fully accept the support of the blanket.  Hold for a few minutes and then repeat on the other side.

    3.  Supported balasana (child’s pose).  With your knees wide apart and the big toes together, draw the blanket pile between your knees up to mid-thigh.  Place another blanket (or a pillow) across your calves.  Bow forward onto the support of the blankets.  Half way through, turn your head to the other side.  If your thoughts are still active, just let them be and turn your attention back to the breath.

    4.  When you are ready to come out of balasana, tuck your toes under and lift your hips into adho mukha svanasana (downward facing dog).  If you’d like, you can stay here for several breaths with your head supported by the blankets.  When you are ready, walk your hands back to uttanasana (standing forward bend).  Quietly and mindfully get back into bed and lie in savasana.

    Sweet dreams!

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