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    Outrageous Light (and Sadhana)

    I just spent a week looking at the celestial realms — inner and outer.  Fifty of us spent a week meditating and studying with Paul Muller-Ortega at a retreat center in Sedona.  It might seem from these pictures that there was not a moment when we weren’t exclaiming in awe over magnificent visions.  The truth is that many times of the day, the sky was not spectacular, but I was always looking and always had my camera in my pocket, whether the sky was dull or flat when I left my room or whether it was engaged in some outrageous display of light.  The photographs below are in chronological order to show the pulsation of night and day, the progression of the moon from almost full to full, the shift in mood from day to day.  But, the images show a completely edited view.  There were the views for which I did not take out my camera at all.  Those were the majority, but I was still looking.  There were the views I photographed, but deleted from the camera memory, choosing not even to save them.  There are the photographs that I downloaded onto my computer, but did not even enlarge to get a better view.  There are photographs I enlarged, but decided not to edit.  Then there were the photographs I chose to edit by making decisions about cropping, brightness, contrast, hue, and saturation.  The photos below are a subset of the last group.

    If I were doing a show where I printed and framed the work, I would have worked from at least ten times as many images and would have done multiple prints of each image before choosing what to display.  In this persistency and discrimination, photography teaches much about meditation practice.  To show what is seen in a way that shifts the soul of the viewer, the photographer has to look over and over again.  For example, Robert Frank took over 20,000 images for “The Americans.”

    Anyone (especially these days with the technology available) can take an extraordinary picture or two if in the right place at the right time with the camera.  But to have a body of work takes consistent devotion, work, and presence.  So too, with our meditation practice.  Some days exquisite visions arise.  Sometimes we are pulsing with extraordinary energy that fills us with a sense of the very fullness of being.  Other times, old issues or the to do list or even feeling trapped by sitting still is what comes.  If we sit consistently over a long period of time, though, we will witness — just as the camera did — the extraordinary.  We will know from being consistent that it is our very consistency that reveals bliss.

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    Upheaval (and Nilakantha)

    Last night when I arrived to teach, I found that the room where I teach had been booked with something else (mistakes happen) and the alternative offered by the space just was not viable.  I was peeved, but just canceling class did not feel right for the space (which has treated me well), my students, or myself.

    Instead, I waited until class time, gathering the students together and giving the options.  Fortunately, class was small because it is summer.  Two  students agreed to drive us to my house, which is usually a walk, but one already had her car with her on her way home from work; and the other had hers just a couple of blocks away at her house.  All the students, including two brand new students who came along for the adventure, arrived at my house less than 10 minutes after the usual class start time.  To honor everyone for being so flexible, I turned the class into a donation class, with the proceeds going towards July’s cause:  the ACLU.

    This turn of events seemed to me to fit well with the message of the Shiva archetype Nilakantha, which just happened to be the name of Shiva that I have been contemplating this week as I have been preparing my classes.

    Shiva drank the poison that was stirred up when others were searching for the nectar of immortality.  In the quest for the unrealistic, these beings brought to the surface a poison that would have killed all humans.  Shiva drank this poison and trapped it in his throat, which turned it blue.  This gave him the name blue-throated, or nila-kantha.

    The challenge I encountered yesterday was certainly one of the well-off middle class.  If it were not for our lifestyle, the abrupt change of plans and disruption could not have even felt poisonous, but we are creatures of our place and time.   We took the potential chaos from having been stirred up and instead of letting it ruin our evening, we made it into a celebration and an offering.

    And I am working with the space not to have it happen again.  Many thanks to the students who came and were so gracious.

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