Music for Asana Practice

Yesterday the mysterious beeping was beeping again in Studio 1B.  I have all sorts of approaches to teaching with the beeping.  One of them is to switch the attention of the ears to music.  We flowed to Now by Bhagavan Das (because it was already in the CD player and I like it well enough) and listened to selections from Love Reigns by Diana Rogers during final relaxation.  Monty asked me after class to give a list of some good music for home practice.  Here are some of my favorite “yoga” cds in no particular order:

Krishna Das — Live on Earth; Faith of the Heart

Wah! — Hidden in the Name; Jai, Jai, Jai

Jai Uttal — Kirtan (this double CD also has a useful spoken background piece on what is kirtan)

Deva Premal — Love is Space; The Embrace

Ragani — Best of Both Worlds

Dave Stringer — Mala; Japa; Divas and Devis

Shantala — Sri; The Love Window

Many of these are available at the Willow Street Yoga Center shops.  Most should be available on-line directly from the artists.  Dave Stringer also has other music available for download.  The rest can be obtained from Amazon.  Also great listening is Invocation, which was put together by Ty Burhow.  It is a collection of different artists offering versions of the Anusara invocation.  Willow Street work studies are raving about MC Yogi’s Elephant Power, which is rap music telling the stories of various deities — funny and delightful.

Mostly, I prefer to teach and practice without music, but I was a dancer and find music helps to lead me into heart and body simultaneously.  I find bringing music into a practice session especially helpful when I am having trouble getting settled on my mat.   I do not just play “yoga” music, but play whatever gets me into the spirit of play or relaxation and contemplation as I am moved.  My bias is towards chamber music (especially Bach) and Indian classical music for a late evening quiet practice and for an upbeat daytime practice anything that would go with being outside on a grassy field on a bright sunny day with frisbee players around.  Alice Coltrane is also wonderful if you haven’t discovered yet her discography.

Play what enhances rather than what distracts.  Also, check out the artists when they come to town:  Wah!, Dave Stringer, and Shantala (Heather and Benji Wertheimer) all come to town.  Enjoy!

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    My friend Dan just posted on his blog a great Gary Snyder quote on the need to do maintenance (of the self) in order to be most creative.  The idea that we need to maintain our tools and toolbox, as it were, in order to be most creative, is exactly what we are taught about the tantric yoga sadhana  — practice.  With our yoga practice, diet, lifestyle, work, consumption, participation in community, we seek to live progressively more in alignment with the undulating fabric of space, time, and apparent world so that we have maximum well-being best to serve ourselves and others with delight. In our sadhana, we include both study and experience (experience includes meditation, asana, and pranayama).  As both John Friend and Paul Muller-Ortega teach, we engage in the practices and studies to learn with ever expanding insight how to see and experience the highest first and live from that place.  Living and practicing with such an intention is, I think, the maintenance done so we can live out all of our lives as a reverential and creative act.

    Dan–I look forward to reading the sermon.

  • Calf Loop (and enhancing the integrity of the energy flow)

    When I think of the Anusara principle of calf loop, I think of playing with drinking straws as a child.  I’d take the straw out of the glass and bend it back and forth.  The straw would end up with a horizontal crease where it was bent — not quite a break — but the place where it bulged at the bend would prevent the straw from serving the purpose of enabling liquid to be drawn up through it.  When our knees (or our elbows for that matter) are hyper-extended, I think it disrupts the energy flow from the periphery to the core, weakening the pose, and breaking the integrity of the alignment.

    As one whose legs started out bowed (though less after over six solid years of working “shins in/thighs out”), my natural tendency is to hyper-extend.  I find that using calf loop, I do not hyper-extend.  Calf loop (also called “shin loop”) has us draw energy from the base of the shin, up the back of the lower leg, and loop it through the top of the shin and then back down the front of the leg.  We wouldn’t ever start a pose thinking about calf loop, but in the flow of a pose, after the major principles are activated, including muscular energy, we can enhance muscular energy and the integrity of the alignment of the knees by focusing on calf loop.  When I practice calf loop, I find that it lifts the calf muscle and draws it more firmly into the top of the shin, and moves the top of the shin forward.  These actions do not bend the knee, but firm the muscles behind the lower leg, including the calf and the popliteus (which is the muscle behind the knee that flexes the knee) to the bone.

    What is tricky — especially for those who tend to hyper-extend, is that getting the knee in proper alignment feels like bending the knee.  If we have been out of alignment, changing our stance will feel strange and perhaps “not right” at first.  The sweet subtlety of practice (whether trying to expand our ability to do poses, heal and injury, or live in better alignment overall)  is learning what is true integrity in a pose and what is habit, what will serve and enhance and what does not.

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    Prasad (and Opening to Grace)

    During one of the sessions at the workshop last weekend in New Jersey, John Friend made a passing reference to the difference between receiving and taking.  He did not go into any detail because it was not central to the theme of the class, but it led me to contemplate on my own about the difference between taking and giving in the context of yoga practice.  In so doing, I thought about the concept of prasad — which is food that has been blessed and is offered to those who have participated in worship (puja).

    When offered prasad, one does not take it.  Instead, the cupped palm is turned up to receive the prasad.  The recipient does not get to pick through the basket and choose which sweet looks the biggest or the tastiest, but simply receives with gratitude the sweet or fruit that is infused with the intention of spirit.  The active part is the showing up with openness and receptivity to the offering, the blessing, the nourishment being offered.

    Coming to yoga class or doing our own practice (asana or meditation) should be, I think, like preparing to receive prasad.  What is primary in the practice of Anusara yoga is being open to grace, but we can no more force openings or enlightenment (grace and insight always elude grasping),  than forcing any particular physical posture or goal really yoga practice.  The point of effort in yoga to improve and expand alignment and knowledge is to enable the practitioner to receive more fully all the potential gifts and grace of practice, and then in turn make fuller and more complete offerings to others.

    Below:  offerings at the Chelsea Farmers’ Market

One Comment

  1. Thank you so much for introducing me to MC Yogi! I love the interplay of his rap and Jai Uttal’s voice.

    I would also recommend Zoe Keating (www.zoekeating.com). She is a cellist who uses computer looping to create an amazing layered sound. She doesn’t just bow the strings, she plucks them, hits them, plays with the back of the bow, taps and bows the body, etc.

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