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    Simulcast, Drama, and Perception

    Last night I went to see the National Theater UK’s  simulcast (tape-delayed) of Helen Mirren performing in Ted Hughes’ translation of Racine’s Phedre at the Shakespeare Theater.  The tragedy of Phedre is misinformation, misguided helpers, and passion that has gone beyond sweet engagement to maddened attachment.

    A stage production is intimate and designed for the small audience of those present in the theater.  When it is merely filmed (instead of being turned into a movie), it sometimes feels forced because it is watching a film of a stage production, instead of being invited in as one is when one is either at the stage production or the filming is done as a movie, which is designed to include the viewer in a manner for the film.

    What was hard about watching the filming of the stage production, was being forced to have the camera’s and director’s perspective; there was no ability to turn my head and shift which part of the stage to give my attention.  At the same time, I felt appreciative of the miraculous offerings of technology:  the filming made something that is usually limited to those who can afford theater of that extraordinary quality and who are able to be in a certain place at a certain time available to tens of thousands around the globe, including me and my friend.  In that way, the filming both took away the intimacy of being physically present, but simultaneously created a unifying experience for a much bigger group of people.

    I was inspired to think about the limitations and differences among the perceptions of the characters, of the critics (talking about the play and the film), of the smaller, elite audience (the actual theater goers’ — I’ve been at that theater in London), of the technologically broadened audience, and of mine in response to the essence of the tragedy, the story and substance of the play, the delivery of the play, and my own life as informed by the play.

    It seems an interesting lesson on many levels on how we can choose to live with our passions, how we can react to limits and changes in our ability to perceive our own selves and the world around us, and on how and what we invite in through the doors of our perception.

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    Letter from Move-On About Iraq

    On the remote chance that you (dear reader) did not already receive it directly below is a letter from Move-On about President Obama’s statement that all troops will be withdrawn from Iraq by year’s end.  My post on FB was as follows:

    “I wish my reaction wasn’t ‘I’ll believe it when I see it,’ immediately followed by, ‘and what about Afghanistan?”  Still, it is hopeful news.”

    Dear MoveOn member,

    Today, President Obama formally announced the end of the war in Iraq, as the remaining 48,000 American troops in Iraq will be brought home by year’s end.1

    After almost nine years, the loss of more than 4,400 American troops and countless Iraqi civilian lives, and a cost of $800 billion that was badly needed at home, a war that should have never begun is finally coming to an end.2 It’s bittersweet relief from an ongoing tragedy—and for MoveOn members who lost loved ones, a very personal tragedy.

    While it’s long overdue, it’s important to remember that even up until today, conservatives and military advisers have been pressing to keep tens of thousands of troops in Iraq indefinitely.3

    So there is no doubt that we would not be here without the dedicated work of millions of Americans nationwide who struggled tirelessly to bring this war to an end and our troops home. From small vigils to massive marches, from phone calls to our leaders to letters to the media, you and many others helped make this day possible.

    Yet, it’s also true that the struggle to bring our troops home continues, as long as tens of thousands of troops remain in Afghanistan. The future of Iraq will now be left to the Iraqi people, and it’s long past time to leave the future of Afghanistan to its people as well.

    And though the war is ending, tens of thousands of troops will continue to struggle with the physical and psychological wounds from their service in Iraq. We encourage you to visit the Wounded Warrior Project to learn more and to donate to support those who served: http://www.woundedwarriorproject.org.

    We can’t rest until all troops are safely out of harm’s way—and our veterans and families are given the support and care they deserve.

    Thanks for all you did to fight for this day and for all you do to fight for a safer, more peaceful world.

    –Justin, Carrie, Elena, Sarah, and the rest of the team
    P.S. You can see photos from years of MoveOn member work to prevent and end the war here: http://www.moveon.org/r?r=90208&id=32202-1983776-lxe54Jx&t=2

    Sources:

    1. “Obama announces full withdrawal from Iraq,” USA Today, October 21, 2011
    http://www.moveon.org/r?r=265907&id=32202-1983776-lxe54Jx&t=3

    2. “After Nearly Nine Years of War and Occupation, America to Withdraw All Troops from Iraq,” The Nation, October 19, 2011
    http://www.moveon.org/r?r=265893&id=32202-1983776-lxe54Jx&t=4

    3. Ibid.

    “Conservatives launch pre-emptive strike against Obama’s Iraq plan,” Foreign Policy, September 15, 2011
    http://www.moveon.org/r?r=265896&id=32202-1983776-lxe54Jx&t=5

    “A troop drawdown that would fail Iraq,” The Washington Post, September 16, 2011
    http://www.moveon.org/r?r=265897&id=32202-1983776-lxe54Jx&t=6

    Want to support our work? We’re entirely funded by our 5 million members—no corporate contributions, no big checks from CEOs. And our tiny staff ensures that small contributions go a long way. Chip in here.


    PAID FOR BY MOVEON.ORG POLITICAL ACTION, http://pol.moveon.org/. Not authorized by any candidate or candidate’s committee. This email was sent to Elizabeth Goodman on October 21, 2011. To change your email address or update your contact info, click here. To remove yourself from this list, click here.

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