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In the Midst of the Turmoil
On Saturday, along with a few thousand other people, I went to the March for Our Lives at the base of the Washington monument. Set out before the monument, in even rows, were thousands of vases of white and orange flowers (orange for the most recent) hundreds deaths from gun violence. it was raining off and on; the speakers were on a platform with loud audio-video, people held signs–some expressing rage, discuss, and frustration, some suggesting productive action. Near the vases, apart from the crowd and the noise, a person dressed in purple sat in meditation. After spending some time in the crowd and focussing on the speakers, I went and joined the person who was sitting. We talked a bit; Satyani acts as a “mindfulness mentor” and can be found on Facebook as “Kosmique Light Meditation.” Satyani did not identify as a protester and felt uncomfortable fighting and felt moved to act, which was what led to coming and sitting for meditation. I suggested, referencing Gandhi and Quaker practices, that being here meditating, holding the space, connecting with those who have died while being present for the living is very much participating in protesting.
On Sunday (before going down to the Capitol Pride Festival), I took a class on Zoom with Michele Cassandra Johnson for Patreon subscribers. She offered a soothing/cooling practice, and invited us to consider how we can cultivate cooling and soothing while saying amidst the fire and engaged in the fight?
To stay in it for the intensity it is now and the life-long practice it must be, that is an essential question, the answer to which will shift depending on circumstances.
Pictures from the March for Our Lives, the Capitol Pride Festival, and some fabulous bird sightings at Kingman and Heritage Island the Friday before, are posted on Instagram and Facebook.
Podcast on Ayurveda for Yoga Students and Teachers
Thanks to the generous Cate Stillman for this podcast. What I like most about Cate’s perspective is her teaching that truly practicing Ayurveda is paying attention at the deepest level, including paying attention to what in the classic teaching of Ayurveda work for you and what do not–being that they are imbued with cultural elements of the Indian subcontinent that do not necessarily support or resonate with our culture or individual constitutions.
As I study more, I find that it turns out that I had been practicing Ayurveda already by keeping to a regular daily and weekly routine, eating seasonally and locally, eating with sensitivity to impact on my digestion and energy level, and by having a steady practice. Not being interested in detox (more some other time on the dangers of detox) or constitution types, or arcane herbal remedies (many of these, by the way, are becoming endangered species), it turns out, does not mean having rejected Ayurveda. I do know that whether I call it Ayurveda or just plain common sense, the more I live in a balanced, sensitive, and steady way in terms of diet, sleep, entertainment, work, and consumption in general, the more I optimize my health and sense of well-being.
“Inspiration Cards”
I adore having a library and will rarely say no to a philosophy text or a book about anatomy, therapeutics, or yoga methodology. I am less interested in “self help” types of books or gadgets. Every once and a while though, I come across something that truly supports my practice and my teaching. When I first went to Inner Harmony to study with John Friend in mid-2003, there was an altar in the corner of the practice room, just at the entrance. On the altar was a set of cards (a little smaller than 2″x2″). Each card had a word in English, the devanagari, and the sanskrit of the word transliterated into our alphabet. Following the lead of others who had been to Inner Harmony for previous retreats, at the beginning of the day, I would select a card and think about how the word on the card might inform my practice and intention.
At that time, I was first starting to use Anusara’s “heart-oriented posturing language,” using a theme for class that was designed to lead the students into a deeper place in their hearts through their asana practice, and I found that the cards were an excellent source of inspiration.
Even though I first bought the cards in 2003 to serve as a basic class preparation aid, I have continued to use them regularly for my own practice and contemplation. Often, the word that appears resonates with something that is of immediate concern. The day after Becky (my beloved cat who lived to be 21) left her body last year, I went to the set of cards, which I’d not used in a couple of months. The card that I selected at random (like picking a card from a deck when someone is showing you card tricks) was moksha — liberation, and in classic yoga, literally liberation from the body. I was moved to tears.
This summer, with myself and my students, we have been working on manifesting intention. As I’ve blogged about previously, I invited us to think about an intention. Whether an intention is something basic with the body or mind or something more universal, whenever we seek to manifest an intention, ultimately it is because we want to be more blissful, more open, and more at peace with ourselves and others. The question becomes how do we use our practice both to discover an intention and to seek to make it manifest. To help me with the contemplation of this question, I have gone again to the cards as a source of inspiration. This week, the card that turned itself up was racanatmakata — creativity. “Perfect,” I thought, when I saw the word. Creativity is a human reflection of the wild, pulsing, diverse and ever-extraordinary dance of all being. When we open to our creative impulse to allow things to unfold, we can witness the fullest range of possibilities and the variety of paths to manifestation.



