Similar Posts
Breathing Exercises to Aid Sleep
A regular brought a friend to this week’s group house practice. When I asked whether there was anything about her health or practice I should know to enhance her experience in the class, she advised me that she had been having trouble sleeping for the past few months in response to an event in her life. I did not ask about the event, but offered some of my favorite practices when I am not easily falling asleep:
1. gentle ujayi breathing with the exhale twice the length of the inhale. We were sitting up, but this is great to do in vipariti karani (legs up the wall pose).
2. chandra bhedana (the moon breath). This is similar to nadi shodana (alternate nostril breathing) except that for every breath, the inhale is through the left (ida or chandra nostril and the exhale through the right (pinga or surya) nostril.
3. This one I learned from work place yoga teacher Kathy Rowley with whom I took lunch time classes at the Department of Labor for a couple of years. I am not sure I remember it exactly the way she taught it, but it works:
Start lying on one side. Take sixteen deep breaths, keeping count of the breaths, with the exhales longer than the inhales. Quietly roll to your other side and take another sixteen breaths. Continue switching sides, slowly and without disturbing growing sleepiness, each set of two doubling the number of breaths you take. After 16 on both sides, then 32 on both sides, then 64, and so on (though so on is unlikely). Let the breaths get slower and deeper and when you get to the point where it does not seem right to switch sides, then you let yourself sink into deep relaxed sleep.
- Art and Culture | Asana, Pranayama, and Yoga Practice | Community and Family | Food for the Mind (Yoga Philosophy, etc)
Personal History (and Samskara and Opening to Grace)
A samskara is generally defined as an impression left in us by a past action or experience. I found myself thinking about the process of samskara yesterday, when I went with long time friends of my family to watch their son taking class at the summer program at the Kirov Academy of Ballet.
I have not watched a ballet class (except on the occasional film) since I was actively studying ballet as a teenager and young adult. I have long been conscious of how ballet imprinted my body image and way of looking at myself, but have not found a space before where I was able to look at this aspect of my history with fresh eyes.
What was different yesterday, was that I was observing with openness. I was sitting with people I have known all my life, sharing their warmth, love, and parental pride for their son, rather than concentrating on my own history. It brought back memories, but not in the same way that sitting by myself or with a girlfriend, watching a documentary has done.
In this open state of reflection, I witnessed something that I knew at some level, but had not given much thought to before: how much having taken thousands of hours of ballet class has informed the way I teach. My tendency in my own practice and in my teaching to see the details of alignment and to try asanas repeatedly until it seems that I or my students have experienced the alignment in the most optimal way for the day is straight out of my experience in ballet class.
Softening and witnessing instead of feeling or judging from past experience gives the possibility of shifting from samskaras, even ones that are very deeply etched into body and mind. Being with my friends yesterday, of course, gave me the joy of seeing the spectacular dancing of these young men and the delight of connection. It also gave me the unexpected gift of a moment of understanding how the Anusara principle of “opening to grace” allows us to shift. When we are open, nonjudging witness consciousness (an aspect of “opening to grace”), that is when we have the possibility with each thing we repeat, to experience it new without being bound by our samskaras.
Consignment Shop Find

Siva, Parvati, Ganesha, and Nandin, reverse painting on glass, mid 20th century



