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Should I Be In Alignment or Should I Relax Completely? (and Namah Shivayah)
For the first few years I was teaching, one season a year, I would have as my overall session theme the Anusara invocation (for the words written out, click on “invocation” in the menu bar above). In so doing, I invited myself and others to contemplate at the heart level the meaning of each word, of why we were making the invocation, of how the invocation might inform not only our practice, but how we bring our practice off the mat and into our daily lives. Each time I chant the invocation–and it has been hundreds of times now over the years I have been studying, practicing, and teaching Anusara yoga–I seek to invoke into my practice the deepest qualities of the heart that it represents.
Over the winter break, when I was preparing for this session, the invocation called to me. I decided it was time to make it as a specific offering again. Last week and this week, including in the restorative workshop offered at Willow Street Yoga last Saturday, I have been exploring namah shivayah from the first line. Namah–which has the same verbal origins at the English word “name”–means to bow, to honor, to name. It forms the basis of the greeting namaste–with the light in me, I bow to the light in you. Sivayah here is our siva nature. It is variously the light within, auspiciousness, spirit, divine nature, elemental goodness.
When I was practicing in preparation for teaching the week’s classes and the restorative workshop and contemplating (practicing bhavana on) namah shivayah, I thought about a question I often get when I teach restoratives: “should I be maintaining the alignment principles or should I be relaxing completely?” When I get the question phrased this way, I look the student straight in the eye and respond, “yes.” I get a quizzical look; how could the answer be “yes” to an “either or” question? The answer is “yes” because in each pose, we are seeking to embody the fullest expression of namah shivayah. Taking the time to make sure to be in alignment when setting up for a pose, moving into a pose, reaching the pinnacle of a pose, and then moving out of or dissolving a pose, is out of loving respect for your body and the energy that courses through your body. We seek to be fully in alignment in all stages of each pose, not only to minimize the likelihood of being in pain or getting or aggravating an injury and to increase the likelihood of healing any existing injuries and expanding our capacity to feel free in our bodies, but also out of a profound respect and honor for the self, the teachings, and the practice.
Sometimes people think that focusing on getting the alignment just right is fussy or rigid and the antithesis of relaxation. In the case of restoratives especially, everyone coming to the practice wants to be at peace and feel free of effort. In the hunger to get to a place of relaxation, some hurry into the pose without honoring the alignment. Oftentimes, it is the hurry to relax and the loss of attention to the details of alignment (of both the mind-body and the props) that leads to pain or discomfort in a pose that is meant to be held for a long time, as are restoratives. When a student tells me that they are in pain in a particular posture, I invite the student to back off, set up the pose again, and far more often than not, all discomfort disappears, and the student is able to move into a blissful place. The student then experiences for herself how much the alignment enables the surrender to the exquisite opening to siva and the blissful attributes of siva (satcitananda).
One of the reasons I find restoratives to be such a powerful practice is because they require such focused attention on alignment to enable full relaxation. As such, they are a great way to understand the need for the perfect and simultaneous balance of effort (tapas) and surrender (ishvara pranadhana). So the answer is “yes;” the answer is “nama shivayah.” In everything we do, in every aspect of our practice on and off the mat, we want to be consciously in alignment. We want to use all the knowledge that has been imparted by our teachers and experienced in our own practice as a way of honoring and naming and helping to enable an unceasing, simultaneous, and full surrender to our own siva nature.
Meditation
Maitri has been fussed while construction prevents her from going outside on the catio. This morning, she went into the yoga practice room, went into a trance, and projected herself astrally into the garden.

- Asana, Pranayama, and Yoga Practice | Food for the Mind (Yoga Philosophy, etc) | Gardening | Meditation | Photos
Bare Bones of the Trees (and Pratyahara)
One of the things that I appreciate most about winter is being able to see the bare articulation of the shape of the tree in the absence of its leaves. A dormant tree looks very different from a leafless, lifeless tree. The dormant tree still has a vibrancy to it.
As I enjoyed the beauty of the trees in Stanton Park this morning on my walk to work, I thought about pratyahara (withdrawal of or from the senses), which is the fifth step of Patanjali”s eight-limbed path of yoga and the bridge between life and physical practice (the first four limbs consist of ethical observances and restraints, asana, and breathing practices) and meditation. I have been led to contemplate the practice and meaning of pratyahara since the last meditation retreat I attended.
From a renunciate perspective, pratyahara entails withdrawing from that which stimulates our senses. A renunciate would simplify and restrict what he or she takes into his or her system to free the mind from stimulation and make it easier to go into a space of meditation.
Being careful to eat lightly, avoiding the stimulation of electronic entertainment, finding a quiet place to sit, and shutting our eyes before we begin meditating is part of the practice of pratyahara that all of us who practice meditation do as a matter of course.
From a tantric perspective, I think pratyahara fits into our practice a little differently than for someone seeking to be on a reunciate path. We may definitely choose to minimize undue or excessive stimulation because certain types or amounts of stimulation feel out of alignment with our practices. For me, more than a certain amount of sense stimulation and certain types of stimulation can numb my celebration of and experience the spirit. Refining what I take into my system so I feel better able to live fully and celebrate and see the play of consciousness is different than renouncing objects that stimulate the senses or sense impressions themselves, as being less real than spirit. It is not renouncing things as unreal; it is picking and refining what to experience to better recognize and remember spirit. For the great siddhas, withdrawal from stimulation would not be necessary because they do not lose sight of spirit by either the cravings of the senses or being overwhelmed by reactions to stimulation of the senses.
The trees seemed to me this morning to help elucidate this principle. The trees aren’t acting out of ego or greed or yearning to find happiness from the outside because of an emptiness on the inside. They are always open to the light and the rain. In winter, when they are dormant, they are not reaching for the light and rain or hungering for spring. They are there in all of their beauty open to receive nourishment when it comes. In spring, when the leaves start to bud and open, it is because of the light and the rain, but the essence of being a tree does not change or get distorted by going inward and resting or by opening to burgeoning growth.
When we can simply open to all that is around us as spirit (beyond my capacities except at the rarest of times), then we can be open to the fullness of what stimulates the senses and still be practicing pratyahara. As long as we are swayed from the recognition and delight of spirit by stimulation of the senses, then we need to practice withdrawing on a grosser level to help us find the space of still being where we can be in the world of the senses without being tangled up and bound by it as such.




