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    A Commitment

    When I enter into a contact improv jam, I make a commitment. I commit to paying attention with all of my being, to myself, to my partner or partners of the moment, to all the others in the room, and to a spatial, energetic, and creative attention to the dance itself and for the dancers as community and co-creators of the dance (and sometimes for the observers, too).

    I think this is not unlike the commitment of the tantric yoga practitioner who ideally engages all of life with a simultaneous attention to the inner and the outer, to the dance between the self and all that to which ones self comes into relationship and to the dance of relationship.

    Peace and light, E — Posted with WordPress for BlackBerry.

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    Blossoms Around Town

    At lunchtime, I bumped into a co-worker from an office where I worked for a few year in the 1990s. We shared stories of our concerns and fears in these times, both as citizens and as Federal workers .  One of his daughters just graduated from U.V.A. Another is in grad school there, so they have lots of friends in Charlottesville. We went back to our respective offices, but it is hard to work. The weather was hot and thick with humidity, the gardens oblivious to current events (so far).

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    Web Version of May Newsletter–Invitation to the Dance

    Dear Friends,

    One of the most captivating elements of dance as artistic expression for me is that it has the capacity to show the beauty in the full range of emotions.  Whether the choreographer is telling a story or sharing an impression, making a political statement or expressing a feeling, the dancer’s inherent grace can show us that there is beauty in all things, helping us through the artistic medium to abide with what might otherwise seem emotionally intolerable and to celebrate more fully that which would naturally make our hearts sing.

    Since I first began practicing asana, it has been for me an embodiment of the dance.  The exquisite technique of the Anusara® principles of alignment  transformed healing work into a dance of exploration.  The expansion of my strength and flexibility in middle age — when because of my dance history I thought only would contract with age — allowed me to express progressively more fully the joy I find in my body.

    This year, John Friend’s overarching theme for his workshops and trainings around the world is “Dancing with the Divine.” The theme resonated especially fully for me because I started attending regularly last fall the Sunday contact improv jam on Capitol Hill and have been re-exploring dance after all the shifts I have made with an ever-deepening asana practice.  It has been with an eye towards not only my own dance, but the connection of the community, and our dance of relationship with our living planet that I am choosing which trainings and workshops to attend this year.

    When deciding what my study priorities are for the year, I look first at where my practice and teaching could benefit from some deep attention and wisdom offerings.  I look to the local offerings to deepen my connection to my home community and to minimize the environmental impact of getting to be in the same room as the teacher.  I am thoroughly appreciative of how wonderful it is to have a burgeoning and dedicated local community that has incredible teachers and draws others.  When planning which workshops or trainings with John Friend I will attend, I look at whether there is an opportunity to combine a training with a visit to friends or family or an opportunity to see art exhibits or museums that are of particular interest to me.  I like to go to any trainings that I can get to by train and, like even better when it happens, where I do not need a car once I get to the training/workshop location.

    Next dance for me with the bigger community is the Anusara Grand Circle in Stratton, Vermont for the summer solstice.  My heart expands with the anticipation of being in the mountains of Vermont with clear, starry nights and bright, vivid almost endless days for a gathering of fellow yoga dancers, those I already know and love, those whom I will get to know better, and those I will meet for the first time.

    It is especially exciting to know I will have the opportunity to study with some of the incredible teachers in the international community I am honored to know, but from whom I have not yet had the privilege of taking a class.  It is also a great opportunity to be with people who are just beginning to get excited about Anusara (gatherings like this are a great opportunity to study with John Friend without having the formal application process.)

    Local yogis, I look forward to seeing you in regular class offerings in the neighborhood and Willow Street, including just until the end of May, Thursday night restorative yoga.  I expect delightedly to see you, too, as fellow students at many of the incredible offerings both in and around DC and the country.

    And if any of you are interested in coordinating a trip to the Grand Circle to celebrate the solstice, send me an email.

    Peace and light,

    Elizabeth

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    Some Perspective

    Thanks to my friend Dan Harper for sharing this quote from Alice Walker, along with his own cogent thoughts  This morning, when I was thinking about how to address some of my current challenges, I decided it was important for me to remember that one of the reasons I keep my job is to be able to cultivate generosity.  I went on-line and became a monthly, rather than an occasional donor, to “So Others Might Eat.”  I stayed with the emotion of how it feels as a small, middle-aged woman to walk, as I do a few times a week, past a homeless shelter on the way out of the office towards home.  I thought about what it would be like to be homeless and food insecure, especially in the unseasonable months.  I thought about how hard it is to be so many humans so crowded together.

    I thought about how helpful the yoga and meditation practices have been for me to be present in the tangle of society.   Though after tonight’s class at Willow Street Yoga,  I will be teaching only one public class (the William Penn House class on Tuesday nights), I will be writing and practicing and studying and exploring.  One of the many intertwined threads leading me to limit my public teaching is to give me more time and space to pursue other creative outlets, even as I continue to deepen my explorations of the yoga and other practices and teachings.

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