Jai Siva


The other day, I went to see the Louise Bourgeois retrospective at the Hirshhorn. The works are a combination of exquisite technique and in-your-face, challenging emotions. I had a friend who raged at me once because I had created a piece that was radically, polemically feminist. “That’s not art; art is only meant to be beautiful and aesthetic, not to be political,” said my friend. Although he could not have questioned Bourgeois as an artist — her technique is too good — he might still have raged at it. (The high school group being shown art on a field trip, while I was at the exhibit, was scurried through a room or two, much to my amusement).
Seeing the exhibit led me to think of the purported purpose of left-handed tantric practices, which are meant to challenge us, turn us upside-down and inside out, and question what we recognize as the divine.

When I enter into a contact improv jam, I make a commitment. I commit to paying attention with all of my being, to myself, to my partner or partners of the moment, to all the others in the room, and to a spatial, energetic, and creative attention to the dance itself and for the dancers as community and co-creators of the dance (and sometimes for the observers, too).
I think this is not unlike the commitment of the tantric yoga practitioner who ideally engages all of life with a simultaneous attention to the inner and the outer, to the dance between the self and all that to which ones self comes into relationship and to the dance of relationship.
Peace and light, E — Posted with WordPress for BlackBerry.
