Throughout this election cycle, and now radically and with no room for hiding from myself or reality since the election, have been asking how can I do more, participate with more compassion, generosity, and impact with respect to what is within my control?
This article, the link to which I received from Betsey Downing, adds to the contemplation: On the Making of Trump–The Blind Spot the Created Him.
Those of you who are regular readers may sometimes wonder why this blog, which purports to be about yoga, only on the rarest of occasions goes into any detail about the physical alignment principles for asana. I just received a comment on a post that I wrote several months ago that reminded me of my conviction that the optimal place to discuss and practice physical alignment principles is in class. This conviction is not because there isn’t value in reading about the alignment principles–I look at the Anusara Teacher Training Manual on a regular basis–but because it is critical to understand the bigger picture, to have a loving eye on the alignment, and the opportunity to ask questions right away, which we can only get when we practice with a teacher. In this instance, the commenter said in response to a post in which I had indicated that “thighs out” was shorthand for part of inner spiral that she had heard that “thighs out” in the common Anusara alignment instruction “shins in, thighs out” was just hitting the thighs apart and was something separate from inner spiral. Would I mind clarifying.
I found the comment timely as I was recently at a workshop where the teacher had noted the injuries that can flow from overdoing an isolated action that is intended to describe one part of an element of the basic principles of alignment (in that case “taking the armpit back.”) I agreed with the teacher that just jamming the armpits back can stress the shoulder and limit freedom if it is done in isolation and as the first action in a movement involving the shoulder girdle. It can be an incredibly helpful alignment instruction, though, if the students recognize (as reminded by the teacher) that we don’t take the armbone back without first opening to grace, including softening and expanding and making the “inner body bright” and also practicing the movement in a way that recognizes the point of the instruction is to encourage students to integrate the head of the armbone into the shoulder socket by means of muscular energy.
Like taking the armbone or armpit back, I do not believe that taking the thighs apart should ever be treated as an isolated point of alignment. It should only be done in proper sequence and in proportionate action to the amount the yogi is able to work the other principles. “Shins in” should not be done without first opening to grace, including softening, expanding, listening to the body, and establishing a good foundation. It is also only one of the three aspects of muscular energy. “Shins in” is just one way a teacher might tell students to apply the principle of hugging to the midline, but the student should not neglect hugging the muscles to the bone or drawing energy from the periphery to the focal point of the pose just because the teacher only cued “shins in, thighs out.” After all, there are only so many words that can be said in a single class and only so much on which we can focus at a time, but that does not mean we should be neglecting the basics as we seek to become more refined in our practice. Just as “shins in” is only part of muscular energy, the companion shorthand instruction “thighs out,” emphasizes just one aspect of inner spiral — that which serves to broaden the broaden the pelvic floor by means of the movement of the thigh bones. That does not mean that it is independent of the other aspects of inner spiral–spiraling inward and expansively from the feet upwards and taking the thighs back, both of which sequentially come before the “apart.”
Wow. For those of you who read this for the gardening or cooking or to enjoy the photographs, this level of detail might seem mind-numbing. Part of the danger of getting into the weeds in writing about alignment is just that. Not only is it distancing, but it gets educated readers into a space of debating the finer points and wondering whether things have been said just right. It becomes far to easy to lose sight of the point of yoga in the first place, which is to bring us joy on and off the mat. Remembering the intention to cultivate joy (ananda) when we are practicing actually physically protects us from getting in trouble by over-efforting with regard to one small aspect of alignment. When we are (sat) consciously (cit) in the moment with an intention to cultivate bliss, then we are much less likely to do any physical action so hard or so precisely that we forget the big picture and how the principle or the pose fits in with the overall flow and alignment principles and do more harm than good.
What is real? What is illusion? What is real and also distorted by the illusions unique to our individual perspective?
Remembering the light:
Thinking that everything I have ever seen has made some sort of impression on my mind.
Keeping in mind I need to remember and live through my prior experiences to get through the day with any skill.
Feeling I also need to imagine and create unbound by my past when necessity or desire requires me to adapt and be flexible or draws me to experience unadorned delight and wonder.
Svadharma, from sva (self) and dharma (duty) means our personal path, duty, calling, or place. The principle of svadharma is a significant teaching in various yoga texts, such as the Bhagavad Gita, especially emphasizing the importance in acting in accordance with one’s caste (for example, Arjuna needing to act in accordance with his dharma as a warrior) or one’s sex (consider Sita’s role in the Ramayana).
Extrapolating this teaching and taking it onto the mat, during one of the practice sessions the previous week at the Certified Teachers’ Gathering, John Friend said that “every part of the the body has its own svadharma to increase the pranic flow.” He then said that if you just took a photo of the feet of an Anusara yoga practitioner in any pose, you should be able to see that the whole body was fully engaged and active. John Friend’s teaching here was not just using the yoga philosophy as a catalyst to better understand the body. By using the principle to illuminate the practice, the practice reflectively illuminated the principle itself, without denying or denigrating its original context or getting bogged down in its historical baggage of perpetuating the caste system and demarcated, subservient roles for women.
Thinking about the svadharma of the pinky toe has no such baggage. The pinky toes are homely looking things, they do not fit well into most women’s shoes, they rather painfully bump into things, and they are hard to move independently. They are not essential for living and do not have the emotional charge of the heart and brain, the exquisite connection to the world of the sense organs, or the connection to life itself of the lungs. Despite this, the call to lift and spread the toes, to draw the pinky toe toward the heel, or the hip happens just about every time I go to the mat in my practice or teach a class. Activating the pinky toe by opening it and spreading it apart from the other toes is a conscious act of opening that helps hug the shins to the midline. In hugging the shins in by means of activating the pinky toe, the yogi on the mat can then safely move the thighs back and apart, creating an expansion of the pelvic floor that provides room for more strongly tucking under the tailbone to access core power. The pinky toe thus is an important part of our practice, even if we could manage to get by without it.
But the svadharma of the pinky toe on the mat is not just to be able to help us access the movement of “shins in” so that we can better do “thighs out,” although that is an important physical part of its essence. The toe does not move on its own. We have to start by bringing our awareness and consciousness to the toe. Part of the pinky toe’s svadharma, then, is to invite the infusion of consciousness to show how full participation of even an apparently insignificant part of the body can lead us to a better understanding and personal experience of the pulsation between reaching out and hugging in and affirming ourselves. By intentionally bringing our awareness to the power we can unleash in the pose by the movement of the pinky toe, we bring the opportunity for greater strength, expansion, and flow of energies. This is why, I think, John Friend suggested that by just seeing the toes we should be able to know the engagement of the whole body and mind in a particular pose.
As a practical and therapeutic matter, recognizing and bringing into play the svadharma of each and every part of the body serves to help us increase the flow of energy and expand our range of movement. In addition, activating the parts of the body that are inclined to slack (for example, the pinky toe or the adductor and abdominal muscles) will bring ease to the muscles that tend to overwork to compensate, such as the neck and low back muscles. We are not just stronger and more flexible when every part of the body does fulfills its svadharma, but we eliminate much pain and suffering. (More to come on this particular concept in other posts.)
Off the mat, when all parts of the whole are fully conscious of and know their svadharma, the whole will itself have more consciousness, more light, and better experience the bliss of being. It is easy to see, without judgment or question, that the pinky toe cannot do the work of the heart, although when the pinky toe is working it can help contribute to an integration of mind and body that will further the opening of the heart and thus the whole person. Finding our svadharma as a whole person within society does not have to be about conforming to preconceived social norms that no longer serve. The better we are able to understand where we are in time, space, and the interconnected web of being, though, the more fully we can participate in leading society itself to a more conscious and light-filled place, just as bringing our conscious awareness to the actions of the pinky toe can do the same for us as individual yogis on the mat. When we recognize and live out our true svadharma as such, we radically affirm ourselves, the community, and the very essence of all being.
