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Hare Om Ganesha Revisited
I bought in India this sweet image of ganesha. When I came home, I had the treat of going shopping for here and looking though dozens of strands of beads until I found just the right ones to complement the colors in the painting and the energy of the image. The brown and green tones of chunky turquoise felt just right. In creating the necklace, I took the time to see how the individual stones related to each other both in shape and color. Just as taking time to get in alignment can enable us to create beauty out of challenge, so to, taking the time to arrange the stones makes the difference between something merely strung together and an artistic creation.
Sprouted Chickpea, Potato, and Winter Greens Stew
One of the first things I did when I got home was to start several kinds of sprouts. Soaking beans overnight is, if you think about it, just a prelude to sprouting. I often sprout beans for a few days even if I plan to cook them. Once they have just sprouted (usually after two+three days), cooking time to tender is only 10-15 minutes. I had some sprouted chickpeas, a couple of potatoes in cold storage (aka the vegetable bin in my refrigerator). Today was the first day I was really able to get into the garden since my return. In addition to carrots, I was able to pull a substantial quantity of various greens: kale, chard, curly endive.
The stew: saute in olive oil (or a mix of olive oil and butter), minced onion and garlic, diced celery and carrot until translucent. Add to pot peeled and cubed potato and sprouted chickpeas (if using only soaked chickpeas, cooking time will be 3-4 times as long; or you could use already cooked chickpeas) and stir to coat with cooking oil. Add a couple of dried hot chilis (optional) and some sprigs of rosemary and oregano (fresh is best). Cover with vegetable stock or water and cook until chickpeas and vegetables are tender. In a pressure cooker this took about 10 minutes. Chop whatever fresh greens you have on hand (anything, but collards; if all you have are collards, kidney or pinto beans would work better than chickpeas). Add the greens just before serving and cook only long enough to wilt greens. Season with salt and black pepper to taste. I used rind from a spanish rosemary-crusted goat cheese when cooking. This would be optional, but if you want just a hint of cheese flavor, cooking with the rind of a hard cheese is very nice.
Ah, it is good to be home.
Peace and light, E — Posted with WordPress for BlackBerry.
“Stabilize the Periphery; Move from the Core” (and blogging)
For the past week, I have been contemplating, practicing with, and teaching the axiomatic sequenced alignment principle of Anusara yoga “stabilize the periphery; move from the core.” It means exactly what it says. We stabilize the outer edges of the pose (feet, hands, head) and move from our core to get into the full expression of the pose. For example, have you noticed how often the yoga teacher will have you put your hand on your hip when you are first in a standing pose and working the alignment of the foundation and core body? Only when the central alignment has been reached, do you extend the arm and hand to complete the full form of the pose. The reason Anusara teachers are taught to use this technique is that it stabilizes the periphery, so that the students can concentrate on the major alignment and then move from the core.
Off the mat, this principle means to me that we start with our overall goals and needs and the essential principle of trying to move from and respond in the highest before getting distracted by the details of whatever is going on. As I contemplated and taught the principle this week, I found myself thinking and talking about lots of different examples on and off the mat. The central idea was there, and then as the classes progressed, depending on the level and the students, I wove in illustrative examples that made sense with what was happening in the classes.
I found myself struggling, though, to write about this principle. I had too many different things I wanted to explain about how it helps in yoga asana both as an important therapeutic practice and as a way to expand one’s core abilities. A plethora of examples of how it works off the mat came to mind. To write coherently when one has limited space/attention span of reader/number of words, one has to first stop getting into the details and start with the central theme. Then it is necessary to flesh out the central theme with very select details that enhance the understanding of the central premise. The writer chooses not to scatter the central theme into so many details that the central point is obscured or lost in the details. My struggle to write about this principle served then as a perfect example to myself about the very principle about which I was choosing to write. I needed to “stabilize” the details, so that I could express coherently the core principle.
Do you have good examples of how applying this principle has helped you on or off the mat?





