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    Art Around Town

    The changes in my neighborhood over the past several years take some getting used to; there are so many new businesses opening up where it was once abandoned and dangerous to walk.  This fabulous mural was on my walk to 2nd and M Streets, NE to the new flagship-sized REI at the U-Line building to get new hiking boots.  On my extended walk home to break in my new shoes,  I bumped into neighbors outside the Atlas Theater.

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    Ecstatic Serenity

    When I was eight or nine, a teacher asked everyone in my class to say what they wanted to be when they grew up.  The other children named the various jobs or professions that appealed to them at the time.  I responded that I wanted to be independently wealthy.  At that age, I was expressing something I already knew from family issues.  Though I did not have the words for it or a clear understanding, what I was saying was not just false precocity.  I knew at a basic level what is taught in yoga:  I would need enough material support (ardha) to follow my heart in love (kama) and work (dharma); then my life could be free (moksha).

    When I was 22 and visiting my friend Dan, he asked me what I really wanted to do with my life.  We had just graduated from college.  Dan was working for a sculptor who was a professor in the art department; I had just moved back to New York, had just gotten over a failed attempt to serve as an office manager for an off-off Broadway theater, was in a place of deep emotional and financial struggle, and was trying to determine what work and corresponding further education I wanted.  “I want to be content,” I said.  “That’s too passive,” he replied.  “No, that’s not what I mean,” I tried to explain.  “For me being content being satisfied and engaged with my work and life, but still working hard and having goals.  It’s not just hanging out.”  I had all sorts of things that I found interesting and possibilities for a life path, but I didn’t have one specific career or life plan that I was certain would be more fulfilling than any of the others.  They just would have satisfied me in different ways.  Because of the dilemma of too many choices, I wanted to be able happy with whatever choice I made, even if it seemed like a compromise.  I was conscious that once I picked, because of the inherent limitations of time and space, that I would either have to be content with my choice or be unhappy.  I have since learned to think of contentment (samtosha), which is one of the niyamas of the path of yoga expounded by Patanjali, as a practice rather than a goal (and it is a very important and continuing practice for me).  Contentment is not an end, as I had thought when I was 22; it is just one part of the path to a goal of living liberated (jivanmukti), experiencing self as spirit in all that one does.

    On a recent telephone seminar, Paul Muller-Ortega, my meditation and philosophy teacher, in the midst of a broad dialogue regarding various studies and practices, spoke a little of ecstatic serenity.  Memories of the discussions I had had long ago about what I wanted welled up in the forefront of my thoughts.  In thinking about what is my intention now, especially with regard to my practice (sadhana), I witnessed my previously stated intentions as just stages on the path to this discovery.  As soon as I heard Paul say the phrase, I thought, “that’s what I want; I want to be ecstatically serene.”   I seek to be always in some part of my conscious being still and peaceful, while simultaneously being passionately engaged in what life brings to me and I bring to life.

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    Talking About the Wisdom Goddesses (and February Willow Street Book Club)

    I am looking forward to February’s meeting of the Willow Street Book Club this coming Sunday, where we will be discussing David Frawley’s, Spiritual Secrets of Ayurveda:  Tantric Yoga and the Wisdom Goddess. Especially since many of us will likely have been to hear some or all of Professor Douglas Brooks’ discussion of the great goddesses last weekend, the meeting promises to be full of lively, thoughtful, and insight-provoking discussion.

    One of the things I have been pondering on this latest read is how I can fully imbibe the wisdom that is offered with the imagery and stories of the goddesses, without getting caught up in being troubled from a feminist perspective.  Many yoga practitioners I know rely on the call in the texts to worship the “goddess” as a way of saying that women are not diminished in the classic texts.  My conundrum is that when one looks at the texts and the images about the goddesses, all the stereo-typical notions of beauty and youth are inextricably intertwined.  Like the Western fairy tales I gobbled up in my youth and their entrancing but insidiously prejudicial archetypes, the sweet, loving, desirable goddesses are the young and fair; the fierce and powerful goddesses are the ugly crones.


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