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What Does It Mean to Be a Grown-up? (and Householder Yoga)

My friend Dan posted a blog entry earlier this week talking about getting distracted by a rainbow.  He wrote that he was sure that other “grownups” did not get distracted by the rainbow. As I was observing the way people were commuting this afternoon, grimly looking down, hurrying along, texting and phoning, and apparently completely disconnected to the beauty around them, I thought of Dan’s blog.  I thought not seeing the sky or turning away from its beauty is not being fully “grown up.”

Part of my friendship with you, Dan, is sharing the wonder of looking at rainbows.  It is the “distraction” perhaps that is the invitation, at least in my own practice, for more skill.  In seeking to live the life of a “householder yogin,” I am trying to be the grownup who always sees the rainbow and takes time to see it, but has the skill to illuminate even the most mundane of daily activities with the wonder of seeing the rainbow.

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    Some Idiosyncratic, Feminist Musings About Ayyappa

    Ayyappa is the half-brother of Ganesha and Subramanyam. Ganesha and Subramanyam’s mother is Siva’s wife Parvati.  Ayyappa’s mother is Siva’s brother Vishnu while he was the woman Mohini.  Even in the glossed over versions that don’t get into what a modern reader might think of Ayyappa’s mother, he is the extra and unwanted child of the family, although he is needed to save the world from evil.  Ayyappa is the character in the story who represents those who have ever been or felt unwanted or third-wheel or lost or excluded or is somehow missing in society or in relationship, but is still inherently worthy and divine and essential to the functioning of society, even though he is cast out into the wilds of the forest.

    Being the god of such, at the festivals at a major temple in Kerala on the pilgrimage route, all castes are welcomed. No need to be a Brahmin.

    But only prepubescent girls and elderly, post-menopausal women are permitted; women who have the capacity to conceive are forbidden.  Those connecting with the god of the unwanted, the extra, the missing, the cast out, themselves deliberately exclude from access to this god others they make even less privileged.  Even for the men of the lowest caste, the step-brothers, the bastards, and the otherwise unwelcome and unrecognized for their intrinsic worth, by the exclusion of all women of child-bearing age/capacity, Ayyappa’s pilgrims get to experience the sense of inclusion and privilege in society of the more powerful and glorified and popular brothers who have never been themselves cast out.

    Could this by design?  Is it that one cannot really understand what it means to be excluded unless one also experiences the power of being able to exclude in turn? If yes, how easy to pick, in a patriarchal culture, women of child-bearing age as the outcast and denied.  (Do they ask any woman who shows up whether she still bleeds?  If a woman has stopped bleeding, but doesn’t look “elderly,” does the prohibition still apply?).

    I have personally experienced far too many things that have been partly or completely closed off to me, overtly or invidiously, because I am a woman or not of a particular social or religious background, and much where it was worth risking ease to challenge the status quo.

    As for an Ayyappa pilgrimage, I’ve seen photos of half a million escstatic and determined male worshippers surging towards the temple for festival (looks something like returning to the tube station after seeing the Rolling Stones at Wembley Stadium in 1982 or the infield on a muddy day at the Preakness only more testosterone than that), and what first came to mind was not, wow, I really want to join that party.  Rather, I asked myself where do they urinate and defecate.

    I personally cheerfully leave this one to the men (and my more intrepid and determined sisters), even if it makes some of them feel special in part because they have excluded a whole class of people from being able to formally worship.  I’d much rather spend time with Kali. Thank you very much.

    Maybe I’d go stand outside Sabarimala in off season, when the temple is closed.  I’d take a photograph and contemplate what the idea of Ayyappa–god of the unwanted, the unwelcome, the third wheel, the excluded, the extra, the cast out from the benefits but saddled with the hardest task–means to me–both as one who has experienced the pain of exclusion and one who has excluded others (as most all of us do even when we try not to), and how it can inform me to relate to others with more grace and compassion.

  • Slumdog Millionaire

    I’d been thinking about going based on the subject matter and the reviews.  Studying and practicing yoga from such a Western perspective, I think it is important for me to understand more deeply how much and what of our culture India is embracing, while we embrace its philosophy and aesthetics and use it to supply us with cheap labor.  I am conscious that yoga has come to me through the filter of British colonialism (that is one of the many reasons for the name “Rose Garden Yoga”).

    I was worried about whether I could sit through the violent images, but I was talking to my sister last weekend, and she had it on the top of her list, so I decided to go after all.  The movie deserves its superlative reviews.  Don’t be misled, though, by the reviews that say it is ultimately a fairytale.  Although it is a story of compassion and loyalty, of the quirks of fate, memory, and the solace of philosophy, it contains candid depictions of abject suffering, unbearable poverty, and unspeakable cruelty.  It raises pointed questions about when violence is warranted in the face of injustice or for mere survival. It is certainly thought provoking and eye opening.  Most of the thoughts I’ll wait to share with those who have seen the movie.

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    What Do You Think It Means?

    Can you imagine looking at this photograph without ascribing to the image what you know of red and white stripes coupled with stars on a blue background and of a circle divided by lines in this particular pattern?

    How much differently would an Indian Hindu look at a painting of an elephant than would an American voter in the weeks leading up to a Presidential election?

    If you don’t know all the meanings carried by an icon, what message do you get from a picture of such icon? If you think it is anything other than a pretty picture, but think a meaning that is not its iconography are you just suffering from deluded ignorance?

    Is knowledge binding (jnanam bandaha) or does it liberate?

    Peace and light, E — Posted with WordPress for BlackBerry.

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