Dharma without Karma (Please Vote Next Tuesday)

It’s no surprise:  I find myself more and more consumed by thought and activity regarding the state of the country and what I can do as a citizen (including voting) to make things better.  As I seek to stay engaged, but grounded and without anxiety, I find solace of the teaching in the Bhagavad Gita that true yoga is action without attachment.  To be detached is not the same as withdrawing from action.  In fact, the Gita suggests that the path of action is better than the path of renunciation.

What is actionless action?  Given the Gita’s fundamental premise that we must act in accordance with our duty (what that means is the subject of much debate that is beyond a simple blog), actionless action does not mean disengaging from the process.  It also does not mean not caring.  Rather, it means that we should act fully in accordance with our principles (which principles should be shaped by the yoga guidelines of non-harming, truthfulness, non-stealing, alignment with nature, non-greediness, cleanliness, contentment, fervor, self-study, and surrender), but with the mental understanding that we are ultimately not in control of the outcome.  We act because not to act is a cop out.  We offer the fruits of our action to forces beyond ourselves.  We act out of love — not selfish love for personal gain — but with loving gratitude for being able to act at all.  We engage fully and then still seek to be free of being unsettled by either pleasure or pain from the outcome.  Whatever the results, we keep acting, we keep doing our duty, fully and with loving engagement.

See:  BG IV.19-20:  He whose undertakings are free from anxious desire and fanciful thought, whose work is made pure in the fire of wisdom:  he is called wise by those who see.  In whatever work he does such a man in truth has peace:  he expects nothing, he relies on nothing, and ever has fullness of joy.  (trans. Juan Munoz)

He who has abandoned all attachment to the fruits of action,/ Always content, not dependent,/ Even when performing action,/Does, in effect, nothing at all./ Performing action with the body alone, / Without wish, restrained in thought and self,/ With all motives of acquisition abandoned, He incurs no evil.  (trans. Winthrop Sargeant)

P.S.  I will have voted in the morning and will be teaching at Wm Penn House on Tuesday so come join me resting in yoga before going home to watch the returns.

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    Iccha, Jnana, Kriya

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    When I think of the Anusara principles in practice on and off the mat, I think of them in terms of the tattvas, particularly the five universal elements and the five mahabhutas .   Those of you who practice and study Anusara yoga are familiar with the principles of “open to grace, muscular energy, inner/expanding spiral, outer/contracting spiral, and organic energy.”  As part of the physical practice of asana, I think of these alignment principles as corresponding to the mahabhutas (the five great elements of earth, water, fire, air, and space/ether; see previous posts on how I experience the alignment principles as relating to the mahabhutas).  At that level, “open to grace” has physical characteristics.  These principles, when applied consciously, help us to align the physical body with the energy body, so that we can more fully delight in our bodies.  When we are in alignment and experience expansion through alignment, we can more optimally move in and experience the physical and mental realms in a way that helps us recognize the universal spirit in all beings.

    The reason I come to the mat, the ultimate purpose of yoga in an of itself and for me as a practitioner, is informed by the five principles of the universal.  The yearning to connect to the spirit is in essence an opening to grace at an elemental, non-physical level (an uber opening to grace).  The next aspect of our practice, which is more important than the physical technical details of the alignment principles, are what John Friend terms “attitude, alignment, and action.”  These are by definition more universal and fundamental than the physical principles and correspond directly to the principles of iccha (will),  jnana (knowledge), and kriya (action).  The essence of yoga, especially from a tantric perspective, is the will (iccha) to embody and experience the union of mind, body, and spirit with a radical embrace of our being.   Knowledge (jnana), when used as a way to align with our true nature, is not to correct, but to better enable us to align our body, both physically and energetically, and our mind so we best can experience and express our will to connect.   The ultimate action (kriya) of a pose or what we do off the mat is a spontaneous offering or an expression of our will to connect, using ever increasing refinement, skill, and knowledge.

  • Sauca (and freecycle)

    The first of the niyamas or ethical restraints set forth by Patanjali in his Yoga Sutras is sauca, which means cleanliness or purification.  BKS Iyengar in his Light on the Yoga Sutras of Patanjali says that sauca is both internal and external and that mastery of yoga is unrealizable without observance of the ethical principles of the yamas and niyamas [non-harming, truthfulness, non-stealing, aligning with the good, greedlessness, cleanliness, contentment, fire for practice, self-study, and acceptance — my definitions] is not possible.
    What does cleanliness mean in this time in our society?  Scrubbing the kitchen and bath with toxic cleaners and slathering ourselves with chemical products and taking long showers may make our house and body look and feel clean, but it is soiling the earth.  It is definitely easier to practice in a neat room than a messy one, but we need to learn how to be clean also keeps the earth’s environment clean as well.
    Earlier this week, I started cleaning out the “art closet.”  I have always created visual art, and before I shifted to teaching yoga, I spent a number of years creating at a wild pace (partly at the encouragement of a live-in partner), using a room in my house as a studio, and exhibiting and selling my work.  One side effect of that intense period of creation (and one of the key reasons I shifted away from it), was that it created a lot of stuff — for every painting or photograph I sold or gave as a gift, another five or eight accumulated in the house.  When I entered yoga teacher training, I turned the art studio into a yoga studio.  I was unable at that time to make a decision as to what to keep and what to discard.  Thus paralyzed, I put it all in a closet — art works and extra supplies alike.
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    I’ve cleaned my closet.  Another artist will be creating new art with old materials instead of new.  Less goes into the landfill.  That’s a great example of sauca.

3 Comments

  1. Thanks Brian. I have around 10 different translations and commentaries on the Gita, but not that one. I’ll look out for it. I do have the version of the Hatha Yoga Pradipika published by YogaVidya, which I think makes a great adjunct to Swami Mutibodhananda’s version.
    E

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