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    Simulcast, Drama, and Perception

    ByElizabeth

    Last night I went to see the National Theater UK’s  simulcast (tape-delayed) of Helen Mirren performing in Ted Hughes’ translation of Racine’s Phedre at the Shakespeare Theater.  The tragedy of Phedre is misinformation, misguided helpers, and passion that has gone beyond sweet engagement to maddened attachment.

    A stage production is intimate and designed for the small audience of those present in the theater.  When it is merely filmed (instead of being turned into a movie), it sometimes feels forced because it is watching a film of a stage production, instead of being invited in as one is when one is either at the stage production or the filming is done as a movie, which is designed to include the viewer in a manner for the film.

    What was hard about watching the filming of the stage production, was being forced to have the camera’s and director’s perspective; there was no ability to turn my head and shift which part of the stage to give my attention.  At the same time, I felt appreciative of the miraculous offerings of technology:  the filming made something that is usually limited to those who can afford theater of that extraordinary quality and who are able to be in a certain place at a certain time available to tens of thousands around the globe, including me and my friend.  In that way, the filming both took away the intimacy of being physically present, but simultaneously created a unifying experience for a much bigger group of people.

    I was inspired to think about the limitations and differences among the perceptions of the characters, of the critics (talking about the play and the film), of the smaller, elite audience (the actual theater goers’ — I’ve been at that theater in London), of the technologically broadened audience, and of mine in response to the essence of the tragedy, the story and substance of the play, the delivery of the play, and my own life as informed by the play.

    It seems an interesting lesson on many levels on how we can choose to live with our passions, how we can react to limits and changes in our ability to perceive our own selves and the world around us, and on how and what we invite in through the doors of our perception.

  • Spam Filter (and thoughts in meditation)

    ByElizabeth

    When I have not looked at my email for several days, I am faced with dozens of emails in my two regular accounts, plus the spam folders.  The first thing I do is see what in the spam folder is not spam.  In doing that, I give some attention to everything in the folder.  Then I go through my in box to figure out what should have gone to spam.  Then I delete the spam.  Then I decide what emails from list serves there is no point in reading because if I have not read them immediately, I will have missed the letter-writing, petition-signing, event-going, offering-enjoying that is described in the email.  Those get deleted without being opened.  There is another level of emails that I open, but just skim.  Then I either delete quickly or leave to be read after I get to the important stuff.  Then there are the personal and business emails that I want to read and require my attention.  I look at them to see if they need immediate attention or can wait.

    The thoughts that arise during meditation have a similar filter.  Some are spam.  There is a certain almost mesmerizing quality about the quantity and array of the thoughts, but I just let them go — returning to my mantra or the breath because the mantra is far more delightful than the thoughts.  Other thoughts, I acknowledge, but leave for later (i.e., the proverbial “to do” list), again finding more delight in the spaciousness and light of meditation.  Sometimes particular thoughts relevant to my practice and very being will start resonating in the light itself and becomes messages.  These thoughts sometimes dissolve again into the light of meditation and do not come with me from the session in a tangible form.  Others stay with me and give me fruit for contemplation, for investigation and study, for illumination of my day, or for discussion with others for further refinement.

    Always, though, there is an acceptance that thoughts will arise as inevitably as one with multiple active email accounts and many list serves will get email.  The practice is learning which thoughts I should give heed, which to discard, and when and how to listen to those that will serve and inform.

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    Monuments to the 330 Million Gods

    ByElizabeth

    Later today I will be boarding a plane to India with the intention of witnessing edifices, art, monuments, and practices inspired, created, and perpetuated in the name of god(s). We are flying together out of JFK airport. I came early to NY to see my family, though I ended up seeing only my older sister instead of the whole family as originally planned. My Dad was supposed to have had hip replacement surgery last week, but it was postponed because he had a bad cold–please hold him in the light as he gets ready for surgery.

    Looking out my window last night at the gorgeous view, I wondered how many of those involved in the design, engineering, and building of the Empire State Building thought of it as an inspiration of or tribute to god.

    I have yet to see a so-called proof of “god” that does not make a leap of reasoning unsupported by logic, and I cannot think of anything further from the recognition of universal spirit and worthiness in all beings than killing, oppression, perpetuation of social inequalities, and forcing conformity in the name of god. I have, though, time and again experienced awe and delight to the very depths of my being witnessing the outrageously and extraordinarily beautiful and innovative outpourings of human creativity in the name of our multifarious beliefs in some god or gods. What wildly interesting creatures we are–all of us.

    Peace and light, E — Posted with WordPress for BlackBerry.

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