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    Happy May Day (and radical affirmation)

    It feels wonderfully auspicious to me that my Spring classes at Willow Street are starting on May Day.  It is Beltane–the true end of winter and the beginning of the effulgence of the time of growth and light.  It is May Day–the mark of a shift in power from the oppressors to the once oppressed, now freed (I’m not going to get into whether that really worked as planned).  It is a time of tradition at my alma mater; the sophomores wake the seniors with strawberries and champagne, enjoying celebration and revelry (dancing around May poles and the like) as they get ready to take their final exams.  Today is Kentucky Derby; I remember a party where the fact I had mint in my garden for the juleps started a fabulous passion.

    The potential for delight, for freedom, for fullness is always with us.  For me, yoga helps me find it and recognize it.  The longer I practice, the more richness it offers.  This Spring session I will be focusing on radical affirmation of the potential in ourselves so that we can recognize and reveal it.  Much more on that to come; for now, I must head to the metro to go teach.

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    The Capitoline Venus (and Sruti)

    The Capitoline Venus arrived in DC last week from Rome–the first time this circa 200 CE sculpture has been out of Rome in nearly 200 years. What makes it especially beautiful is the apparent softness of flesh of the cool, carved marble, the seeming etherealness of the ancient solid stone.

    Looking at the Venus made me think about how carving in stone can help us understand the concept of sruti. The hindu scriptures generally are classified as either sruti (revealed) or smriti (remembered) and until recent centuries were passed on through oral tradition. Those scriptures that are sruti are said to have been revealed by a divine source to the original listener. They were already there as part of the wholeness of the universe and then manifested to a particular enlightened being in a way that could be witnessed and passed on. The essence of the text was always already present, but not tangible, until it was revealed in the mind of a listener, who then passed it on.

    Carving in marble takes both the emergence of idea and form in the mind/imagination of the artist and the revealing of that idea from the original stone by the craft of the artist. The sculptor has studied and practiced art and is always open to the emerging into consciousness of a particular image or idea, just as the great yogis continuously meditated and studied, open to what might be revealed.

    As the sculptor may find the block of marble first or have the idea and then go looking for the right stone to express the idea, the yogi pulses between experiencing spirit and enhancing the experience through practice. It is not just an act of imagination that builds and creates something out of nothing. To some extent, the form of the final sculpture is already there in the stone. The work of the artist is to remove that part of the stone that is obscuring the witnessing and expression of the exquisite shape revealed from within by the educated and painstaking act of making art.

    Peace and light, E — Posted with WordPress for BlackBerry.

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    Naga Vaishnava Rupini

    nagavaishnavarupini

    Goddess of the unfolding of our deepest desires (of the subconscious).  So I was told.  At the Tillai Kali Temple outside of Chidambaram.

    After hours of document drafting and emails and phone conferences today (with the pleasurable interlude of a walk to Eastern Market for celery, Russian pumpernickel, and a ripe avocado), I found myself wanting to remind myself that I have been some times some where other.

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