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    Devil in the Details (and jnanam bandaha)

    The second sutra of the Siva Sutras is “jnanam bandhaha” (knowledge is bondage).  In the context of the Siva Sutras, this tells us that getting caught in trying to acquire knowledge of the manifest world and all of its infinite minutiae can lead us away from a sense of connection to a universal spirit.

    We have the phrase in the work place that the “devil is in the details” both because getting caught up in the details can take us away of accomplishing a desired result and because the details need to be worked out to realize the result, and the details (not the theory) are the hard part.  At the societal level, for example, working out the details of a health care bill and how it will actually function seems to be preventing us, as a society, from offering health care to all.  On our yoga mats, we need to understand the details of physical alignment so that the practice strengthens and optimizes our health, rather than taking us physically and energetically out of alignment, but we do not want concentration on the details to take us away from heart and spirit.

    The “devil may be in the details” but we cannot stop the details from being part of our existence.  As much as we need not to get so bogged down in the details that we have discord, distrust, unhappiness, and ineffectiveness, we also need to cultivate knowledge of the details.  As beings embodied in space and time in the manifest world, we need to cultivate knowledge so that we can recognize when the details are not in optimal alignment, so that we have sufficient knowledge, strength, intuition, and subtlety to be able to shift the details so that they lead towards good for ourselves individually and collectively.

    What a devilish conundrum.

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    “Hugging to the Midline” (and discipline/discipleship)

    Last night in group practice a student asked what she could do to keep her standing leg upper thigh/outer groin from cramping in ardha chandra chapasana (sugar cane pose).  I responded that she probably was not using her inner thighs enough; she need to hug more to the midline.  Another student pointed out that it is very challenging to hug to the midline in an asymmetrical pose.

    Anyone who studies Anusara yoga has heard the teacher say “hug to the midline.”   The physical instructions most often given to help the student do so, are “shins in” (coupled with “thighs back and apart”) or “isometrically draw your heels/feet together” (or hands in an arm balance or elbows/forearms in pincha mayurasana or sirsasana).  “Hugging to the midline” is one of the three aspects of “muscular energy,” the second of the five “Universal Principles of Alignment” in Anusara yoga.

    To help find the midline in an asymmetrical  pose, I invited the students to do a partner exercise in ardha chandrasana (balancing half moon pose).  One student went into the pose.  The other student stood behind the one in the pose and place a hand or forearm underneath the lifted ankle of the student in the pose.  The student in the pose then pressed down energetically into her friend’s support.  The student was then able to find how to do “shins in” with the lifted leg.  What all the students discovered was that by working with far more enthusiasm and power to the midline, it was much easier to open the heart into a deep back bend in the pose.  As it was a backbending practice, we also explored the principle in various one-legged backbends, including eka pada ustrasana (one-legged camel pose) and eka pada urdva danurasana (one -legged wheel pose).  The students who might not otherwise have been able to find these poses, discovered that if they hugged with heartfelt enthusiasm to the midline, they found an ability to do a pose that they might otherwise have thought beyond their reach.

    This alignment principle was a perfect way to illustrate the theme of the practice, which was discipline as discipleship to the light (see yesterday’s blog post).  All of the alignment principles in Anusara yoga are designed to get us deeper into our hearts; it is an added benefit that they make us stronger, more flexible, more secure in our bodies, healthier, and more energetic.  Hugging to the midline will definitely help us engage our core muscles, thus giving us more strength and tone.  As an energetic matter, hugging to the midline draws us into the central channel, the sushumna nadi — the place of grace where the kundalini energy rises.

    When we are practicing sincerely, we are not just seeking to achieve a pose or get stronger or even to have kundalini experiences.  We do not discipline ourselves for some external goal.  Rather, out of the deepest longing to connect, we engage the principles to align our energetic and physical bodies so that we can be more in the flow and find more capacity to soften and expand our hearts and carry that into our lives, lifestyles, and relationships.  The physical practice can show us how this works, and then, when we are aware, pulses us back to our true desire.  More than the physical act of hugging to the midline makes it easier to do a heart-opener (backbend) and the energetic act of drawing to the midline may stimulate the flow of the kundalini energy, the discipline of drawing in to find the light will help us soften and expand the heart center so that we can reside more deeply there, and thus experience and share more joy, love, and compassion.

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    The Search Continues (based on some dreaming)

    In 2000 or 2001, shortly before I started practicing Anusara yoga, a teacher who regularly played music in class, played for us a recording of Alice Coltrane singing a tantric chant to Siva and the Goddess Bhuvaneshvari.  I only heard the chant once while we were in savasana — corpse pose/final relaxation.  Although I only heard the chant once, for several months afterwards, I found myself having a recurring dream that I was wondering in a neighborhood that looked like the one where I grew up and went to high school and chanting the full chant.  At the time I merely found it curious that I seemed to have learned the sanskrit just by hearing the chant one time.  I have since learned that the recording may have been done right near my high school; that is where the Coltrane’s had a recording studio.  I also learned that the chant was a tantric chant.  At the time, my teachers were coming from a classical yoga perspective.  Did I actually learn the chant by osmosis?  Was having the very vibration of the chanting near where I lived and studied the catalyst for me, as a receptive being, discovering a path of tantric yoga?

    I have found other recordings of the chant.  One is Atman’s “Dancing to the Goddess” on the Eternal Dance CD, which is an electronica version.  The other is Ragani’s “Om Mata” on the Best of Both Worlds, which is a very nice kirtan/pop version.  I have several of Alice Coltrane’s recordings, which are great jazz, if you aren’t familiar with Alice Coltrane as a fabulous musician in her own right.  Recently I searched again on the internet to see if the bootleg had become available.  There was nothing on YouTube (though some good Alice Coltrane things to watch).    I bought Alice Coltrane’s “Radha-Krsna Mana Sankirtana,” which was originally recorded in 1977 (when I was in high school) and reissued in 2005, as I thought that was a promising source.  It has some good things on it, but no luck finding the recording I wanted to hear.

    The chant goes like this:

    Samba sadasiva, samba sadasiva, samba sadasiva, samba shambo.

    Om mata, om mata, om sri mata, jagade mata.

    Om bhuvaneshvari, sri bhuvaneshvari, hari parashakti, devi bhuvaneshvari.

    It is a chant to the benevolent, auspicious one within, the radiant goddess, the creatrix of the world.  Bhuvaneshvari is one of the ten wisdom goddesses.

    Please advise if you have access to the Alice Coltrane or another recording of this beautiful chant.

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