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It is the days
when I have too many different things to do that sitting for meditation and doing a little asana is most important. We always have 25-45 minutes. It is just a matter of understanding where they are and how we want to use them.
Having sat sweetly for 25 minutes, I am calm and relaxed as I get ready for work, take care of the garden (if only it would rain), wait for a meeting with a contractor, etcetera, etcetera.
I do not believe in using the benefits of practice to enable multitasking, but on the days when everything coalesces in a less than optimal way, I am grateful for the calm center it provides.
I hate [insert name of pose or class of poses] (and the kleshas)
One of the aims of yoga, according to Patanjali’s classic eight-limbed path of yoga, is to be free from being torn between the pairs of opposites — pleasure and pain. We cannot be free if we are always grasping at pleasure or acting to avoid pain. From a tantric perspective, we are not trying to disengage or transcend body and mind and the natural arising of pleasure and pain, but we still want to be engaged without an attachment or aversion that leads us into entanglement and suffering rather than towards openness and light.
One of the kleshas (afflictions) is dvesa, which can be translated as hate, dislike, abhorrence, enmity, avoidance. Why wouldn’t we want just to avoid something that we dislike? Sometimes we have no choice, and one of the benefits of yoga is helping us make peace with having to face or be engaged with things that are painful or distasteful.
I often hear students say, “I hate [insert name of pose].” Last night, I heard it twice. I am no stranger to the “I have to go to the bathroom poses,” the poses which are so challenging or uncomfortable, that I feel the need to leave the room. One of the most profound ways I have grown with yoga, though, is staying present for the poses that did not initially appeal to me, usually those that pushed my fear, trust, strength, anxiety, worthiness buttons. One of the obvious superficial benefits of staying present and practicing the “I hate” poses is that they can yield an extra sense of accomplishment when we get them. We can also learn more about our friends and colleagues by starting to understand why the poses are the ones that naturally draw them and thus expand our perspective on the fullness of life.
For example, arm balances are still most challenging for me, partly because I am more flexible than I am strong, and partly because I am fearful of falling. I’ve started to appreciate how another person could be drawn to them for the exhilaration, the rush of danger, the excitement, the challenge, the very topsy-turvyness of the poses, although those aren’t sensations to which I am naturally drawn. But I have learned how much practicing arm balances fuels the energy in my core and heart and when I get them, what it must feel like to fly.
The teacher’s duty (and I have been blessed with wonderful teachers who have given me this gift) is to offer the full range of experiences (within the parameters of the class level, style of yoga, and class description), so that every student gets to practice both favorites and least favorites. This is not so much to make sure that every student gets a favorite sometimes and so is happy in the class when the favorite shows up, but so that the students are invited to be present, grounded, and open to his or her own light through the full range of delights and challenges. On a day when I just get my favorites, I feel like I have been to the spa. The real pleasure from yoga has been from the challenging poses over the long term. It has been steadily coming to the challenge that has started easing my reactions off the mat to the inevitable challenges, pain, and losses of a full and active life. In being less reactive to challenges, I also find I crave specific pleasures less, and so enjoy the pleasures that come all the more.
Yoga home practice challenge: pick one pose for which the phrase, “I hate…” usually proceeds it and make it an element of your weekly home practice for a month. Witness your reactions on and off the mat. Enjoy what happens next time the pose comes up in a class. Maybe the phrase “I hate” will stop arising as soon as you hear the teacher name the pose.
Sunset
For those of you who are, at present, grieving or struggling in some way, my heart goes out to you.

Sadhana
After a full work day and a Board meeting at William Penn House, I joined those at the Supreme Court affirming their engagement, crying out their resolve, their outrage, their grief, their hope.

United States Supreme Court, July 9, 2018 (chanting, “hey, hey, ho, ho, the patriarchy has got to go…”
- Asana, Pranayama, and Yoga Practice | Dance/Contact Improvisation | Food for the Mind (Yoga Philosophy, etc) | Photos
Yoga Slow Dance (Making It All Improv)
The dance of yoga is about motion in stillness and stillness in motion, and in not letting oneself be frozen. Stillness is the space between vibrations, instead of the shutting down or closing off vibration. To experience the space between the vibrations (spanda) when changing shapes (poses; going from one thing to the next), one must emerge into the shape and disssolve out of it, with the expanding delight of the coming and going more important than achieving some precise, required shape to demonstrate self-control and mastery (not unlike the teaching in the Siva Sutra that knowledge both binds and liberates).





