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“Bob Dylan is a strange one,”
says the man next to me with a slightly interrogative inflection, while we are both looking at a photo of Dylan taken by Alan Ginsberg at the show of Ginsberg’s photos at the Nat’l Gallery. He is a beefy guy with a crew cut, wearing chinos and a polo shirt. He looks like he’s maybe one of the thousands of police officers from around the country who are here for “Police Week.” Lots of police wives are taking a break from the demos and competitions to look at the impressionist and modern paintings from the Chester Dale Collection. Maybe he just got a little farther west than he had intended.
I smile at him in a way that I hope seems welcoming and open, yet does not actually convey agreement with his statement. I wonder how he felt about the photos ofd the Orlovsky brothers. I am at the exhibit on my lunch hour for the first of what will likely be a number of visits.
The Beats are an important part of my identity. My parents met in Greenwich Village in the late fifties — my mother dabbling as an artist, my father involved in peace activism, the places they frequented also frequented by the beats. My great Aunt H’s favorit book in those days allegedly was “On the Road.”
As a teenager, I relished and romanticized this part of my history. In so doing I read widely not only the writings of the Beats, but also what they were reading, which included the great Hindu and Buddhist texts. To want to discover the illumination of the Beats was to explore Eastern philosophy and mysticism and to meditate and practice yoga.
“No,” I thought to myself, “I’ve never connected the word ‘strange’ to Bob Dylan. Maybe when I get home I”ll play me some before I sit to meditate.”
Construction and Reconstruction
I have lived in my house for almost 20 years. The house came with a bottom of the line, circa 1977 Hechinger’s bathroom. The bathtub has been rusting for a over a decade, part of the faucet would come off when turning it off, etc.
Finding myself without any pets and between tenants, it seemed like a good time to renovate. Last week, in just a day, what was a bathroom, is now a gutted space. Amazing how quickly something can be rooted out and undone. It will be taking a lot longer to reconstruct.
What I am finding most challenging is not the physical chaos. I am used to it as an old house often needs work, and this house needed work (though it was not the kind of fixer-upper that was completely missing floors, electricity, and plumbing).
Rather, what I am wrestling with is my emotional reaction to the idea of having a brand new, beautiful bathroom. There is a big feeling guilty component to be spending money on something that feels not entirely necessary when so many are in need. So while the contractor is working on the construction, I am working with a wonderful opportunity to help reconstruct (post deconstructing) my emotional relationship with things. How do I find balance between honoring those in need, my impact on the planet, maintaining my house, and my enjoyment of beautiful things? How do I feel at peace with my decisions once they already have been made? How do I apply discrimination in my aesthetics to assist in this balance?
Found Quotation/Signs Around Town
Friends will be interested to know that this week’s Department of Labor elevator poster announces the induction of Bayard Rustin in the Department’s Hall of Fame on the 50th anniversary of the March on Washington.
Note: If you look at this on the big screen or an IPad, or Android, and click on the image (enlarging as possible and as needed), the quotes are legible. I would like to type out the quotes for you, but I have much else that is clamoring for my attention.




