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    I hate [insert name of pose or class of poses] (and the kleshas)

    One of the aims of yoga, according to Patanjali’s classic eight-limbed path of yoga, is to be free from being torn between the pairs of opposites — pleasure and pain.  We cannot be free if we are always grasping at pleasure or acting to avoid pain.  From a tantric perspective, we are not trying to disengage or transcend body and mind and the natural arising of pleasure and pain, but we still want to be engaged without an attachment or aversion that leads us into entanglement and suffering rather than towards openness and light.

    One of the kleshas (afflictions) is dvesa, which can be translated as hate, dislike, abhorrence, enmity, avoidance.  Why wouldn’t we want just to avoid something that we dislike?  Sometimes we have no choice, and one of the benefits of yoga is helping us make peace with having to face or be engaged with things that are painful or distasteful.

    I often hear students say, “I hate [insert name of pose].”  Last night, I heard it twice.  I am no stranger to the “I have to go to the bathroom poses,” the poses which are so challenging or uncomfortable, that I feel the need to leave the room. One of the most profound ways I have grown with yoga, though, is staying present for the poses that did not initially appeal to me, usually those that pushed my fear, trust, strength, anxiety, worthiness buttons.  One of the obvious superficial benefits of staying present and practicing the “I hate” poses is that they can yield an extra sense of accomplishment when we get them.  We can also learn more about our friends and colleagues by starting to understand why the poses are the ones that naturally draw them and thus expand our perspective on the fullness of life.

    For example, arm balances are still most challenging for me, partly because I am more flexible than I am strong, and partly because I am fearful of falling.  I’ve started to appreciate how another person could be drawn to them for the exhilaration, the rush of danger, the excitement, the challenge, the very topsy-turvyness of the poses, although those aren’t sensations to which I am naturally drawn.  But I have learned how much practicing arm balances fuels the energy in my core and heart and when I get them, what it must feel like to fly.

    The teacher’s duty (and I have been blessed with wonderful teachers who have given me this gift) is to offer the full range of experiences (within the parameters of the class level, style of yoga, and class description), so that every student gets to practice both favorites and least favorites.  This is not so much to make sure that every student gets a favorite sometimes and so is happy in the class when the favorite shows up, but so that the students are invited to be present, grounded, and open to his or her own light through the full range of delights and challenges.   On a day when I just get my favorites, I feel like I have been to the spa.  The real pleasure from yoga has been from the challenging poses over the long term.   It has been steadily coming to the challenge that has started easing my reactions off the mat to the inevitable challenges, pain, and losses of a full and active life.  In being less reactive to challenges, I also find I crave specific pleasures less, and so enjoy the pleasures that come all the more.

    Yoga home practice challenge: pick one pose for which the phrase, “I hate…” usually proceeds it and make it an element of your weekly home practice for a month.  Witness your reactions on and off the mat.  Enjoy what happens next time the pose comes up in a class.  Maybe the phrase “I hate” will stop arising as soon as you hear the teacher name the pose.

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    Starry Nights, Tantric Yoga, and Pratyahara

    On my previous visits to Sedona in the past year and a half, the moon has been full or nearly full each time.  Even though there was little light from man-made sources, the bright light of the moon illuminated the sky enough that the stars were outshone.  This trip, though, there was only a sliver of a crescent, and then, no moon at all.  In the absence of the moon, the stars blazed forth in all their glory.

    I recently have been contemplating how the practice of pratyahara (usually translated as withdrawal of the senses) fits into a tantric yoga path. Pratyahara is the fifth limb of the eight-limb path of raja yoga, see Patanjali’s Yoga Sutras.   In classical yoga, the aim of yoga practice is to transcend the body-mind, and the eight limbs provide the means for that transcendence.  It fits within that paradigm to withdraw from the senses to move towards meditation.  In tantric yoga, though, the aim is not to transcend or quell the body-mind, but to understand that the body-mind is an emanation of spirit and to live ever more full of the light of spirit. The senses are not something to be transcended.  Yet we still practice pratyahara on the tantric path.Why is that?

    I think that in order to remember our own light, we sometimes need to choose to withdraw from the potentially constant stimulation of our senses; we need to pick darkness and quiet so that we can better discriminate between being delighted and inspired by the senses and being bound by craving stimulation of the senses.  If we get completely bound up in the senses and seek only to get more and more stimulated, we will forget the fullness and light of spirit.  We choose, therefore, at times in our practice, to diminish outer sensory input so that the inner light can shine more brightly.  When we return from the inner light to go back to the senses, we are then better able to appreciate the wonder of what our senses bring to us.  It is not unlike how we get to witness the extraordinary magic of the stars when we take ourselves away from the light of the sun, the moon, and the city.

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