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When a Student Asks a Question (and Tensegrity)

When a student asks a question and I do not know the answer, I do not try to answer it then and there.  I do go home and take the time to try and find an answer.  If I find enough information to be useful, I follow up.  Last night, before the William Penn House class, a student asked whether I had received a recent mass e-mailing from John Friend in which he mentioned teaching about biotensegrity.  I knew the answer to whether I had received the email–yes, a friend had forwarded it.  I did not know, though, how John was using the term biotensegrity.  I went and did a little research.

Buckminster Fuller coined the word “tensegrity”as the conjunction of tension and integration.  The idea of tensegrity is being actively taught by anatomy teacher Tom Myers, a student of both Buckminster Fuller and Ida Rolf and a teacher of certain of my yoga teachers.  It also bears a trademark when called “Carlos Castenada tensegrity.”    I never got into the “magical passes” of Castenada’s students turned teachers, but at some point relatively recently found a used copy of “Magical Passes.”  As I had delved fairly deeply into Carlos Castenada in my youth, I picked up the book and made it part of my library, though did not read it at the time.

I am not surprised that John is talking about biotensegrity.  From my few hours of reading, it seems resonant with the “universal principles of alignment” that were the foundation of his Anusara teachings and also consistent with his movement towards the exploration and teaching of “sacred geometry” near the end of his Anusara days.

Yes, I know I haven’t actually said what is tensegrity or biotensegrity in the yoga/body awareness and movement context.  But I do not teach unless I have learned something well enough to integrate it fully into mind and body such that I can articulate it in my own words, and I have not thought enough about the term tensegrity as it relates to yoga practice, though the concept makes initial intuitive sense.  If the links inspire interest, I invite you to look more deeply.  And I’m going to put “Magical Passes” on my stack of reading, though not necessarily at the top.

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    The Breath Leads the Way (and Atha Yoga Anusasanam)

    I was reminded the other day of a principle of reading the great Hindu philosophical work:  all of the meaning of the text can be understood from not only the first sutra, but the first word.  The first sutra of The Yoga Sutrasof Patanjali’s is “atha yoga anusasanam” — now begins an exposition of the practices of yoga.  Implicit in the “atha,” the now, is that something else has come before.  The translations I have speak of previous study and preparation; the studies offered by Patanjali are not for the novice, but for one who has already been practicing.  If we read Patanjali’s first sutra with the implicit understanding that the first word contains all of the exposition to follow and that we do not need the rest of the explanation and practice if we truly understand the first word and sutra, then I think more must be meant here by “atha” than just this exposition now comes after previous study.

    In this latest contemplation of mine what the word “atha” must hold within it for the practitioner, I thought about the Anusara axiom of practice “the breath leads the way,”  which has been the alignment focus in my classes for the past week.  What does it mean to have the breath lead the way?  At its highest level, it serves to bring us back to “first principle” of “opening to grace.” (As an aside, I note that I  believe can apply to the Anusara principles of alignment the same method of understanding:  the principle “open to grace,” and even the first word “open” holds all of the other Anusara principles.  All the other principles and axioms are explanations and methods for living “open to grace.”)

    When we let the breath lead the way, we start each pose by a deep listening, an openness to something greater, an openness to the pulsation between the universal energies and our individual self.  We invite the subtle energies to support us and lead us like a great dance partner.  We actively surrender to the dance, while still bringing our own skill to our part of the dance, the way the partner being led in a waltz is skilled both in the dance and in being led.  In letting the breath lead the way in our yoga practice, we come to the very fullness of the present moment even as we move through a sequence of asanas in time and space.  Being open to grace in each moment, in each part of the pose, and allowing our self to be led by the pulsation of the breath even as we move with it, brings us to a recognition that in each moment, we are both part of the sequence of time and space and more than time and space (akrama krama).  We come to the  atha of samadhiWe use the practice of letting the breath lead the way to teach us to open to grace, to find the exquisite timeless fullness of being itself in order to illuminate all of our practice.  If we are already in that atha, that now, then we do not need any of the other practices or explanations, but if we cannot find it on our own, then again and again, the study and practice begins now — atha — so that we can experience in our very heart the fullness (purna) of our selves and better illuminate everything we do on and off the mat with the blissfulness of  that fullness.

One Comment

  1. Tensegrity is an example of a “portmanteau,” a new word formed by smashing two existing words together. Smog (smoke+fog), brunch (breakfast+lunch), and taxicab (taximeter cabriolet) are examples. Lewis Carroll was a master of creating portmanteaus (slithy is my fav).

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