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Books on My Trip to California

The two books I read while I was traveling to California  (San Francisco for the delight of it and Lucerne Valley to study with Paul Muller-Ortega)Home of the Dancing Sivan, India in Mind.

The first I picked to bring because it was one on the bibliography Paul has given us to read that I had not yet read and was also something that I wanted to read in anticipation for my planned trip to to Chidambaram in December.  By coincidence, while we were on this intensive, Paul showed us a video of a ceremony at Chidambaram, so I was glad to have read the book on the way there.  The second, I picked up recently at the Bryn Mawr Lantern Bookshop, where I do regular volunteer work.  India in Mind is an interesting collection–well-known Western voices writing about India, but collected by Pankaj Mishra, an Indian author who lives part of the time in London.  Much in the collection I have read before, but the editing gives a very interesting perspective on how we in the West have related to and imagined  India.  More reading in preparation for my upcoming trip and for my continuing exploration of what has drawn me to the yoga over these many decades.

The five books I bought while in San Francisco (the first three from my every year or three pilgrimage to City Lights Bookstore; the last two from a used bookshop in Hayes Valley near Yoga Tree’s Hayes studio):

The Essential Tagore (a large and beautiful collection), Great Tales of Jewish Fantasy and the Occult (fantasy and magic from my ethnic heritage–why just concentrate on other cultures such as India?),  White Hand Society (more on Allen Ginsberg and Timothy Leary, which ties in at a deep level to my Westerner’s understanding of Eastern mysticism); Wintering (I was captivated by Sylvia Plath in my teens and 20s; it looked like a nice book), The Violent Foam (wonderful and profoundly important poetry).

 

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    Web Version of May Newsletter–Invitation to the Dance

    Dear Friends,

    One of the most captivating elements of dance as artistic expression for me is that it has the capacity to show the beauty in the full range of emotions.  Whether the choreographer is telling a story or sharing an impression, making a political statement or expressing a feeling, the dancer’s inherent grace can show us that there is beauty in all things, helping us through the artistic medium to abide with what might otherwise seem emotionally intolerable and to celebrate more fully that which would naturally make our hearts sing.

    Since I first began practicing asana, it has been for me an embodiment of the dance.  The exquisite technique of the Anusara® principles of alignment  transformed healing work into a dance of exploration.  The expansion of my strength and flexibility in middle age — when because of my dance history I thought only would contract with age — allowed me to express progressively more fully the joy I find in my body.

    This year, John Friend’s overarching theme for his workshops and trainings around the world is “Dancing with the Divine.” The theme resonated especially fully for me because I started attending regularly last fall the Sunday contact improv jam on Capitol Hill and have been re-exploring dance after all the shifts I have made with an ever-deepening asana practice.  It has been with an eye towards not only my own dance, but the connection of the community, and our dance of relationship with our living planet that I am choosing which trainings and workshops to attend this year.

    When deciding what my study priorities are for the year, I look first at where my practice and teaching could benefit from some deep attention and wisdom offerings.  I look to the local offerings to deepen my connection to my home community and to minimize the environmental impact of getting to be in the same room as the teacher.  I am thoroughly appreciative of how wonderful it is to have a burgeoning and dedicated local community that has incredible teachers and draws others.  When planning which workshops or trainings with John Friend I will attend, I look at whether there is an opportunity to combine a training with a visit to friends or family or an opportunity to see art exhibits or museums that are of particular interest to me.  I like to go to any trainings that I can get to by train and, like even better when it happens, where I do not need a car once I get to the training/workshop location.

    Next dance for me with the bigger community is the Anusara Grand Circle in Stratton, Vermont for the summer solstice.  My heart expands with the anticipation of being in the mountains of Vermont with clear, starry nights and bright, vivid almost endless days for a gathering of fellow yoga dancers, those I already know and love, those whom I will get to know better, and those I will meet for the first time.

    It is especially exciting to know I will have the opportunity to study with some of the incredible teachers in the international community I am honored to know, but from whom I have not yet had the privilege of taking a class.  It is also a great opportunity to be with people who are just beginning to get excited about Anusara (gatherings like this are a great opportunity to study with John Friend without having the formal application process.)

    Local yogis, I look forward to seeing you in regular class offerings in the neighborhood and Willow Street, including just until the end of May, Thursday night restorative yoga.  I expect delightedly to see you, too, as fellow students at many of the incredible offerings both in and around DC and the country.

    And if any of you are interested in coordinating a trip to the Grand Circle to celebrate the solstice, send me an email.

    Peace and light,

    Elizabeth

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    It is the days

    when I have too many different things to do that sitting for meditation and doing a little asana is most important.  We always have 25-45 minutes.  It is just a matter of understanding where they are and how we want to use them.

    Having sat sweetly for 25 minutes, I am calm and relaxed as I get ready for work, take care of the garden (if only it would rain), wait for a meeting with a contractor, etcetera, etcetera.

    I do not believe in using the benefits of practice to enable multitasking, but on the days when everything coalesces in a less than optimal way, I am grateful for the calm center it provides.

  • 15 Minutes of Yoga in the Morning

    Here’s a good way to invite in the day (if you have more time, do longer holds for the various standing poses):

    Balasana (child’s pose) with hands stretched out.

    Adho Mukha Svanasana (downward facing dog)

    Dynamic movement between downward facing dog and palakasana (plank pose).

    Uttanasana (standing forward fold) to tadasana (mountain) with hands on hips to rise.

    Standing sun breath.

    Modified sun salute series (tadasana, uttanasana, (A) lunge on both sides with uttansana in between,  adho mukha svanasana, palakasana, lower through chatturanga, bhujangasana, adho mukha svanasana; (B) virabhadrasana I on both sides with uttanasana in between, adho mukha svanasana, palakasana, lower through chatturanga, bhujangasana, adho mukha svanasana; (C) parsvokonasana on both sides, adho mukha svanasana, palakasana, lower through chatturanga, bhujangasana, adho mukha svanasana).  Add trikonasana and ardha chandrasana if you have time.

    Handstand or half handstand.

    One more sun salute variation, with eka pada rajakapotasana (pigeon pose) on both sides.

    Seated twist and forward bend of your choice.

    Seated meditation (five minutes or more).

    Have a great day!

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