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  • Rothko in the Tower Closing This Sunday

    Walk quietly and meditatively to the National Gallery’s East Wing right away if you have not yet seen the Rothko in the Tower exhibit and you are in town.  Exquisite.  I have been many times while it has been open (one of the best things about my job is its proximity to the National Gallery, allowing me to go visit a painting or two at lunch), but have left if more than a couple of people are in the exhibit with me.  Sometimes it is others who appreciate the subtleties and then we get the joy of communal appreciation and connection.  More often with a group of visitors climbing the steps to the Tower gallery space, it is tourists who come up, see that the paintings are mostly black and loudly exclaim that they don’t get it.  The act of not getting it without effort tends to make them louder and more inclined to just chat about whatever and not look at the art.  When I find an art exhibit that is not to my taste, it is my practice (as I was taught) to make an effort to appreciate the technique and intention, if not the aesthetics, and then move on with some insight gained for the broader art world–knowing there is another opportunity just down the hall or the street for me to find deeper delight and inspiration.

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    Novelization of the Mahabharata

    I found used a novelization of the Mahabharata a couple of weeks ago, which I am now reading.  I’ve read other versions put into English prose, all of which have some stamp of the presenter (author?).  The version I am reading brings to the fore that those who are deserving of the love of people and who are blessed by the divine are physically beautiful, wealthy, and possess great military prowess.  Righteousness includes unquestionably obeying the orders of rulers and parents and accepting your station in life as the determination of God.

    The book jacket proclaims the Mahabharata “the greatest spiritual epic of all time.”  I agree that it is a great epic and a rather amazing one.  Some of the precepts, like all presented in great writings that have lasted over the centuries are worthy of contemplation for one’s own life (I am all for recognizing guests as divine visitors and treating them with due regard, for example), as well as for understanding the society in which the work was created.  But any work that mostly reflects the societal mores of the time in which it was written and is designed to perpetuate the powers that be is perhaps best read as fiction.  Saying this does not mean I do not recognize the good of some of the teachings interwoven into the fairy tales, but rather that I think it must also be understood in the confines of its context, lest we perpetuate societal evils that no longer serve.  (This, of course, has Western parallels.)

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