|

It is the days

when I have too many different things to do that sitting for meditation and doing a little asana is most important.  We always have 25-45 minutes.  It is just a matter of understanding where they are and how we want to use them.

Having sat sweetly for 25 minutes, I am calm and relaxed as I get ready for work, take care of the garden (if only it would rain), wait for a meeting with a contractor, etcetera, etcetera.

I do not believe in using the benefits of practice to enable multitasking, but on the days when everything coalesces in a less than optimal way, I am grateful for the calm center it provides.

Similar Posts

  • | | |

    Boy Leading a Horse

    Last weekend, I went with a friend to see The Steins Collect at the Metropolitan Museum.  I made a special effort to see the exhibit because of the incredible impact on art and culture that the Steins had by virtue of their collecting.  Many of the paintings in the exhibit were familiar; I’d seen them before either at the Met for those from its own collection, at other museums, or in books.  Some, which have ended up in other private collections or in the collections of museums that I have not visited, were completely new to me.

    Among the paintings in the exhibit is Picasso’s Boy Leading a Horse (which, as you can see from the link, the MOMA website currently indicates as “not on view”).  I’ve seen the painting many times before at MOMA.  The shift of location and context shook up my perceptions of the painting, and I indicated that to my friend.  Another woman who was looking at the painting too engaged in the conversation.  “It seems wrong here,” she said.  “It’s a different view,” I replied.  “It is disconcerting, but seeing it in different light, context, and company is enabling me to see new things in the painting and to find a more enhanced appreciation.”

    I have been thinking this week, and talking about it in my classes, how a change of context can bring us new vision.  How often, when things just keep going in a set pattern, do they collect dust and cobwebs (literally or figuratively)?  I asked my therapeutic students whether they had preconceived notions about various challenges of embodiment, especially the chonic ones.  Do you see them as part of your identity, something that causes you pain instead of giving you the joy of movement?  What if you embraced being ever more conscious of alignment instead of being conscious of pain and limitation (and learning better and sooner when you cannot get out of injury without outside help)?

    What of it?  What of the change of perspective?  After all, things get rearranged for us and the dissolution can be gradual or violent or something of both and be something of greater or lesser magnitude.   Times of flux and dissoluti9on are the perpect time for questioning, for new vision, for discovering new ways to experience what had become too familiar, for seeing how one might wish to shift one’s own perspective for the good, to know and take responsibility for one’s own place and piece of this relationship to whatever it is that is shifting, dispersing, or dissolving., to seek to become unbound from the habitual binds of whatever invisible clothing we might be wearing.

  • | | | |

    Bare Bones of the Trees (and Pratyahara)

    One of the things that I appreciate most about winter is being able to see the bare articulation of the shape of the tree in the absence of its leaves. A dormant tree looks very different from a leafless, lifeless tree. The dormant tree still has a vibrancy to it.

    As I enjoyed the beauty of the trees in Stanton Park this morning on my walk to work, I thought about pratyahara (withdrawal of or from the senses), which is the fifth step of Patanjali”s eight-limbed path of yoga and the bridge between life and physical practice (the first four limbs consist of ethical observances and restraints, asana, and breathing practices) and meditation. I have been led to contemplate the practice and meaning of pratyahara since the last meditation retreat I attended.

    From a renunciate perspective, pratyahara entails withdrawing from that which stimulates our senses. A renunciate would simplify and restrict what he or she takes into his or her system to free the mind from stimulation and make it easier to go into a space of meditation.

    Being careful to eat lightly, avoiding the stimulation of electronic entertainment, finding a quiet place to sit, and shutting our eyes before we begin meditating is part of the practice of pratyahara that all of us who practice meditation do as a matter of course.

    From a tantric perspective, I think pratyahara fits into our practice a little differently than for someone seeking to be on a reunciate path. We may definitely choose to minimize undue or excessive stimulation because certain types or amounts of stimulation feel out of alignment with our practices. For me, more than a certain amount of sense stimulation and certain types of stimulation can numb my celebration of and experience the spirit. Refining what I take into my system so I feel better able to live fully and celebrate and see the play of consciousness is different than renouncing objects that stimulate the senses or sense impressions themselves, as being less real than spirit. It is not renouncing things as unreal; it is picking and refining what to experience to better recognize and remember spirit. For the great siddhas, withdrawal from stimulation would not be necessary because they do not lose sight of spirit by either the cravings of the senses or being overwhelmed by reactions to stimulation of the senses.

    The trees seemed to me this morning to help elucidate this principle. The trees aren’t acting out of ego or greed or yearning to find happiness from the outside because of an emptiness on the inside. They are always open to the light and the rain. In winter, when they are dormant, they are not reaching for the light and rain or hungering for spring. They are there in all of their beauty open to receive nourishment when it comes. In spring, when the leaves start to bud and open, it is because of the light and the rain, but the essence of being a tree does not change or get distorted by going inward and resting or by opening to burgeoning growth.

    When we can simply open to all that is around us as spirit (beyond my capacities except at the rarest of times), then we can be open to the fullness of what stimulates the senses and still be practicing pratyahara. As long as we are swayed from the recognition and delight of spirit by stimulation of the senses, then we need to practice withdrawing on a grosser level to help us find the space of still being where we can be in the world of the senses without being tangled up and bound by it as such.

  • |

    Shrishti-Sthiti-Samhara?

    It was an unexpected delight to get a yoga philosophy lesson as part of the mandatory “Records Management for Everyone” course.
    The five acts of Siva are creation, maintenance,  withdrawal, concealment, and revelation.

    The lesson had the first three covered.  Missing from the lesson, though, were concealment and revelation. Perhaps those were thought of as less apt to records management.

    image

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.