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“It’s All Good” (and Voltaire’s Candide at the Shakespeare Theater)

ByElizabeth

Last night I went to see the revival of the Bernstein musical version of Voltaire’s Candide, now playing at the Shakespeare Theater’s Harmon Hall (discount tickets available), which was absolutely a delight — fantastic staging and direction, luxurious costuming, enthusiastic performances.  Throughout his journey, which is beset with cruelty, hardship, natural disaster, and other mishaps wherever he goes, Candide sings of his tutor’s optimistic advice that “all’s for the best in this best of all possible worlds.”  The application of this philosophy leads to some silly results, including the Monty Python-worthy lyric “it’s a great day for an auto da fe.”

I have a friend who, after telling me of various life challenges and griefs, inevitably signs off with the phrase “it’s all good,” though I am not sure she believes it.  I thought of her repetition of the phrase “it’s all good,” while I was watching the musical.  Later in Candide’s travels, he encounters a second philosopher scholar who (I’m paraphrasing loosely) contradicts the “it’s all for the best” philosophy of Candide’s tutor by telling Candide to just look around and he will know that things are not in fact always for the best.  A fluffier version of  the debate in the novel, as to whether things are all for the best when there is so much cruelty and devastation, is interwoven into the rest of the play.

I’ve never had a desire to wear the t-shirt proclaiming that “it’s all good.”  I look around me, and I simply do not believe it.  I do believe wholeheartedly, though, Voltaire’s premise that we have the responsibility to “cultivate our garden.”  As my teachers John Friend and Paul Muller-Ortega espouse, we should “respond from the highest,” regardless of what we experience and encounter.  By having our response make the best of all possible worlds from things that are not evidently for the best, we bring more light into the world, whatever is our world view.  I can only hope that with steady practice of yoga and meditation, I can keep ever truer to these teachings when I am seriously challenged.

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    “Culture Wars” (and Mayiya-Mala)

    ByElizabeth

    When I saw this headline the other day, the first thought that came to mind was how much pleasanter life would be if those spending huge amounts of effort and money to “fight” gay marriage would pour that energy into educating children, tending gardens, and being friendly with their neighbors. The next thought, which was not unrelated, was that the headline was a prime example of how the action of mayiya mala serves to alienate us and cause unnecessary rancor.

    The three malas or cloakings, in tantric philosophy, are aspects of consciousness that prevent us from recognizing the unifying spirit in all beings. We tend to hear a fair amount in yoga class about the first of these —anava mala, which clouds or covers over our recognition of the divine in ourselves, thus leading to feelings of unworthiness–but there is less focus on the other two (the third is karma mala, which is the illusion that we are doing everything all by ourselves–that’s an oversimplification. Perhaps more another time).

    At an elemental level, mayiya mala is the distinction between subject and object that leads us to feel separate from other beings. When this separateness makes us feel threatened or needy, then we can behave very badly indeed (mild understatement). I believe that our superficial requirements of outer sameness–think dress codes or neighborhood rules on what one can plant in one’s front yard–are exactly because we fear difference. If we can instead accept difference as part of the play of what actually connects us (see through mayiya mala, then we can more easily love and embrace others and widest variety of creative expression.

    On our mats, one of the things that leads to injury is mayiya mala. When we forget that we the purpose of the practice is to seek the peaceful joyous space within ourselves and instead get competitive or acquisitive about postures (or external emblems of “spiritual advancement”), we are getting caught up in the differences and comparisons generated by mayiya mala and get compelled to push and strive in unhealthy and dangerous ways. When we remember the true purpose of practice, we will seek to expand, but with such sensitivity that we do not hurt ourselves. This, of course, is easier said than done.

    Peace and light, E — Posted with WordPress for BlackBerry.

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    “This Is Soul Kirtan”

    ByElizabeth

    One of the ways I prepare for a restorative workshop is to spend some time looking for new music to play quietly in the background to enhance the fullness of the experience.  In the past couple of days, I have enjoyed listening to quite a quantity of new and new to me music appropriate for my upcoming Finding the Warmth Inside: Relax Into Optimal Alignment with Anusara Restoratives on February 25th at Willow Street Yoga Center (click on the link for details and to register).  Among the music I downloaded, which I am thoroughly enjoying (though it might be too upbeat for the restorative workshop playlist), is C.C. White’s “This is Soul Kirtan.”

    As I was listening at my desk and swaying to the beat, I thought about the non-dual tantric philosophical principle that exhorts us to find the good in everything, to recognize that in all there is still a “divine” spark that is expressed in the creative effulgence of the universe itself.  The music is joyous, delightful, offered with love, delivered with a high degree of professionalism–both the musical performance and the recording and presentation.  I tried to fathom just how many centuries of human migration, suffering, oppression, bigotry, and then fighting for tolerance, education, equal rights, spirit, and freedom had to occur for this music to be able to exist at all and to be published and embraced, it  being an extravagant blend of Indian spiritual/religious practice, American soul and blues (and all its history), and classical Western musical technique.

     

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