A Bit of Snow

This afternoon I heard a neighbor on one side of my house out shoveling–including the sidewalk in front of my house. I went out to thank him and say hi. And I gave him an extra jug of eco-friendly snow melt for the steep front stairs of his house.

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    Simulcast, Drama, and Perception

    Last night I went to see the National Theater UK’s  simulcast (tape-delayed) of Helen Mirren performing in Ted Hughes’ translation of Racine’s Phedre at the Shakespeare Theater.  The tragedy of Phedre is misinformation, misguided helpers, and passion that has gone beyond sweet engagement to maddened attachment.

    A stage production is intimate and designed for the small audience of those present in the theater.  When it is merely filmed (instead of being turned into a movie), it sometimes feels forced because it is watching a film of a stage production, instead of being invited in as one is when one is either at the stage production or the filming is done as a movie, which is designed to include the viewer in a manner for the film.

    What was hard about watching the filming of the stage production, was being forced to have the camera’s and director’s perspective; there was no ability to turn my head and shift which part of the stage to give my attention.  At the same time, I felt appreciative of the miraculous offerings of technology:  the filming made something that is usually limited to those who can afford theater of that extraordinary quality and who are able to be in a certain place at a certain time available to tens of thousands around the globe, including me and my friend.  In that way, the filming both took away the intimacy of being physically present, but simultaneously created a unifying experience for a much bigger group of people.

    I was inspired to think about the limitations and differences among the perceptions of the characters, of the critics (talking about the play and the film), of the smaller, elite audience (the actual theater goers’ — I’ve been at that theater in London), of the technologically broadened audience, and of mine in response to the essence of the tragedy, the story and substance of the play, the delivery of the play, and my own life as informed by the play.

    It seems an interesting lesson on many levels on how we can choose to live with our passions, how we can react to limits and changes in our ability to perceive our own selves and the world around us, and on how and what we invite in through the doors of our perception.

  • Free Class Week is NEXT Week (and a reminder to slow down)

    I woke up early this morning, all ready to go up to Takoma Park and teach free classes.  I am fully prepared — I’ve been enjoying contemplating one of my favorite first class themes,  practicing great ways to enjoy our bodies (when we’ve been on vacation), thinking of what I would get at the Co-op during the break, looking forward to chatting with the work studies, who I love.

    Good thing I checked my email this morning before leaving the house and subscribe to a lot of list serves.  Mid-Atlantic Yoga had an announcement from Willow Street that free class week is September 14-21.  Feeling a little anxious about my mix-up I checked the Willow Street web site.  Under today’s classes it says there are no regular classes today.

    I could get all grumpy with myself.  I made a mistake.  I missed an opportunity to go out of town for the weekend (though I have a big speech on Monday, and it would behoove me to be well-rested).  But I am happy to be here; I already have planned a massage, a Sunday brunch, and a potluck dinner.  Now I also can spend a luxurious morning in the garden and have time to get seriously fun into baking for the potluck.

    I also have a no harm done reminder that maybe I need to slow down a little.  These kinds of slip ups, which are very rare for me, are definitely a sign of being over-scheduled.

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    Podcast on Ayurveda for Yoga Students and Teachers

    Thanks to the generous Cate Stillman for this podcast.  What I like most about Cate’s perspective is her teaching that  truly practicing Ayurveda is paying attention at the deepest level, including paying attention to what in the classic teaching of Ayurveda work for you and what do not–being that they are imbued with cultural elements of the Indian subcontinent that do not necessarily support or resonate with our culture or individual constitutions.

    As I study more, I find that it turns out that I had been practicing Ayurveda already by keeping to a regular daily and weekly routine, eating seasonally and locally, eating with sensitivity to impact on my digestion and energy level, and by having a steady practice.  Not being interested in detox (more some other time on the dangers of detox)  or constitution types, or arcane herbal remedies (many of these, by the way, are becoming endangered species), it turns out, does not mean having rejected Ayurveda.  I do know that whether I call it Ayurveda or just plain common sense, the more I live in a balanced, sensitive, and steady way in terms of diet, sleep, entertainment, work, and consumption in general, the more I optimize my health and sense of well-being.

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