Rothko in the Tower Closing This Sunday

Walk quietly and meditatively to the National Gallery’s East Wing right away if you have not yet seen the Rothko in the Tower exhibit and you are in town.  Exquisite.  I have been many times while it has been open (one of the best things about my job is its proximity to the National Gallery, allowing me to go visit a painting or two at lunch), but have left if more than a couple of people are in the exhibit with me.  Sometimes it is others who appreciate the subtleties and then we get the joy of communal appreciation and connection.  More often with a group of visitors climbing the steps to the Tower gallery space, it is tourists who come up, see that the paintings are mostly black and loudly exclaim that they don’t get it.  The act of not getting it without effort tends to make them louder and more inclined to just chat about whatever and not look at the art.  When I find an art exhibit that is not to my taste, it is my practice (as I was taught) to make an effort to appreciate the technique and intention, if not the aesthetics, and then move on with some insight gained for the broader art world–knowing there is another opportunity just down the hall or the street for me to find deeper delight and inspiration.

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    “Jobs Not War” (and the Power of Mantra)

    I walked over to the Capitol building at lunchtime to see the rally in support of the Jobs Bill.  As I approached, attendees were chanting “jobs not war, jobs not war, jobs not war, jobs not war, jobs not war, jobs not war, jobs not war, jobs not war, jobs not war….”

    The act of chanting gathered the  energy together.  The chanting empowered those at the rally to deepen their resolve.  In this instance, their resolve was to seek in an ever more coordinated and expansive way a shift away from war and big finance and to community, environment, education, and infrastructure repair and development, employing the millions who have been out of work in this double recession.  Chanting also helped bring the message into the conscious awareness of those hearing the chant, which in its simplicity served as a sign post both for the more elaborate meaning and for a more universal call for unity and change.  This power to work both within and without with chanting at a rally can give a taste the powers attributed to the yoga practices of mantra repetition (japa) or meditation with a mantra.  Just how mantra and chanting work is a curious and wondrous matter, but it is hard to think of a culture that has not spontaneously used chants for both individual and collective worship and power.

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    Ecstatic Serenity

    When I was eight or nine, a teacher asked everyone in my class to say what they wanted to be when they grew up.  The other children named the various jobs or professions that appealed to them at the time.  I responded that I wanted to be independently wealthy.  At that age, I was expressing something I already knew from family issues.  Though I did not have the words for it or a clear understanding, what I was saying was not just false precocity.  I knew at a basic level what is taught in yoga:  I would need enough material support (ardha) to follow my heart in love (kama) and work (dharma); then my life could be free (moksha).

    When I was 22 and visiting my friend Dan, he asked me what I really wanted to do with my life.  We had just graduated from college.  Dan was working for a sculptor who was a professor in the art department; I had just moved back to New York, had just gotten over a failed attempt to serve as an office manager for an off-off Broadway theater, was in a place of deep emotional and financial struggle, and was trying to determine what work and corresponding further education I wanted.  “I want to be content,” I said.  “That’s too passive,” he replied.  “No, that’s not what I mean,” I tried to explain.  “For me being content being satisfied and engaged with my work and life, but still working hard and having goals.  It’s not just hanging out.”  I had all sorts of things that I found interesting and possibilities for a life path, but I didn’t have one specific career or life plan that I was certain would be more fulfilling than any of the others.  They just would have satisfied me in different ways.  Because of the dilemma of too many choices, I wanted to be able happy with whatever choice I made, even if it seemed like a compromise.  I was conscious that once I picked, because of the inherent limitations of time and space, that I would either have to be content with my choice or be unhappy.  I have since learned to think of contentment (samtosha), which is one of the niyamas of the path of yoga expounded by Patanjali, as a practice rather than a goal (and it is a very important and continuing practice for me).  Contentment is not an end, as I had thought when I was 22; it is just one part of the path to a goal of living liberated (jivanmukti), experiencing self as spirit in all that one does.

    On a recent telephone seminar, Paul Muller-Ortega, my meditation and philosophy teacher, in the midst of a broad dialogue regarding various studies and practices, spoke a little of ecstatic serenity.  Memories of the discussions I had had long ago about what I wanted welled up in the forefront of my thoughts.  In thinking about what is my intention now, especially with regard to my practice (sadhana), I witnessed my previously stated intentions as just stages on the path to this discovery.  As soon as I heard Paul say the phrase, I thought, “that’s what I want; I want to be ecstatically serene.”   I seek to be always in some part of my conscious being still and peaceful, while simultaneously being passionately engaged in what life brings to me and I bring to life.

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    Darshan or Puja?

    The other day I was telling one of my regulars that I’d described the group house practice as starting with receiving darshan — receiving sacred knowledge, sitting in the presence of the divine embodied in a great being — from Uma and Sully, who wait downstairs for the students to arrive and expect a petting before everyone goes upstairs to practice.

    ” Is it darshan or puja [performance of ritual worship]?” my student asked.  The two are intertwined.  We naturally offer our gratitude and worship for those in whom we recognize the divine and from whom we learn to know the sacred.

    What would our lives be like if we treated all our encounters and relationships as both darshan and puja, if we came to each person and being open to receiving a glimpse of the divine and the knowledge the divine imparts and approached each encounter as an opportunity to make puja, to formally act with reverence?  The cats certainly expect it.

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